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Egypt Feature Story
Muhammad Ali's Shubra Palace
by Lara Iskander
Muhammad
Ali, initially an Albanian general in the Ottoman army who later became a
ruler of Egypt, is known to be one of the most prominent and controversial
characters in Egypt’s modern history. Muhammad Ali build himself a retreat
palace or an official residence away from the
Citadel in the district
called Shubra
al-kheyma.
was
already undergoing many urban changes given the considerable efforts
Muhammad Ali
had put into developing a modern industrial infrastructure area.
was
originally built across agriculture land and covered around 150 acres.
such
as the Bijoux Palace built in 1814 or the Harem Palace, now known as the
military museum, built in 1827, each of which had a distinctive, clear style.
The palace, which originally consisted of thirteen buildings, was also to be
used as a guest house for foreign ambassadors and members of the royal family
apart from being the residence of
Muhammad Ali.
Sadly, only three buildings remain today on the site; the ‘Gabalaya Kiosk’ used
as a separate reception area for
guests;
the fountain Kiosk, ‘El Faskeyya’ for receptions and festivals as well as the
water wheel building, ‘El Saqya’. In addition, the grounds of palace consisted
of a large park reaching down to the
Nile with
a diverse group exotic trees and rare plants, parts of which still remain.
The first building constructed on the site was the main residence palace,
al-Salamlik. The palace was annexed with several other constructions set up for
employees and guards of the property in addition to an anchorage for Nile boats.
In 1820,
Muhammad Ali employed French architect, Pascal Coste to enlarge his
residence in what might be assumed to be
dissatisfaction
from his part with the primary results. He then requested an extension or more
of a ‘small Versailles’ with stretches of water surrounded by pavilions and
galleries. The addition was to be the Fountain Palace or ‘El-Faskeyya’ which
consists of a colonnade divided into four terraces enclosed by a square pool
resembling the yard of a mosque.
The ceilings are painted with decorative flora patterns and portraits of
Muhammad Ali
and his sons set in medallions. The central marble island of the water basin was
used as an opera stage. Surrounding the pool is the cloister-like pavilions, all
of white marble, exquisitely
sculptured
in a neo-classical style. In the four corners of the colonnade, on semi-circular
platforms, stand marble lions spouting water into the pool.
The rooms of the building occupy its four corners. The first is a drawing room
with an exceptionally beautiful wooden floor inlaid with elaborate designs. In
another corner is the billiard room in which one of the walls is decorated in an
Italian style. It is said that this was originally the dining room until the
1840s when King Louis-Philippe sent
Muhammad
Ali a billiard table.
The architectural style of the palace was unique in the way it combined several
styles; the European styles were used in the interior decorations such as the
paintings of
Muhammad Ali and his family which showed Italian and French techniques. On
the other hand, other features and patterns of the architectural planning and
layouts show evidence of Islamic approaches.
Another interesting aspect that characterizes
Muhammad Ali’s
Shubra Palace is that it witnessed the first modern electric lighting system in
Egypt added to it in 1820.
The remaining buildings of the palace were known to be built of the finest
materials and were richly decorated. The main building, El Haramlik, which
usually refers to the more private section of a palace, was built in white
marble and was noted for its extravagant decorative and furnishing style.
During
World War I, the Haramlik was demolished by Aziza, a member of the royal family,
when it was believed that the British were thinking of using it for military
purposes. It was rumored that fortunes were made from some recovered materials.
Other parts of the Palace were destroyed during different periods. In the 1930s
some part of the garden was destroyed during the construction of the
Cairo-Alexandria agricultural road and in 1952 Revolution, the palace garden
became the premises of Ain Shams University's Faculty of Agriculture, and parts
of the site were turned into a
farm,
research laboratories and cultivated areas used by students for experiments.
This unfortunate decision led to the neglect of the palace over the decades.
The palace finally came under the authority of the Supreme Council of Antiquities in 1978 and was targeted for a restoration project that only took place in 2000 and is approaching an end. The palace grounds now separated from the university area has not yet been opened to the public; however, this ancient revived landmark has finally regained it long lost splendor and is presumed to become one of Cairo’s major touristic attraction sites.
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Last Updated: 04/05/2006