There is consensus among historians and Egyptologists that
the ancient Egyptians were the first builders ever known to man;
they taught humanity how to design and erect buildings; thus
laying grounds for human civilization, urbanization and man's
settlement in a specific homeland of his own for the first time
in history.
Great achievements with simple tools
Ancient Egyptians actually reached unmatched high levels in
architectural design and construction engineering. Even at
present it is still hard to conceive how they could have all
these buildings and structures erected with such high level of
perfection and precision, using only primitive and naive tools
far incomparable with modern machinery and equipment. Even a
layman would think that ancient Egyptians' knowledge of
theoretical and applied sciences was as advanced as ours today.
However, their knowledge was purely experimental and their tools
so simple. These mainly consisted of a builder's thread to
delineate vertical lines, an angle, a measuring arm (52cm-long)
and a straight edge. With these primitive tools, however, they
could make schematic drawings, plans and cross-sections for
their colossal but very fine structures that still astound the
world.
Looking at the existing Pharaonic monuments, we should keep
aside our conception of today's technological advancement. At
that early time in history, stone blocks were molded with solid
stones, copper or bronze tools. Courses of block work, column
bodies and crowns, beams and ceilings were hoisted to the
required level over mud and earth ramps up to the top of sand
heaps adjacent to walls.
Lifting devices used consisted of wooden gliders, rollers,
ropes and levers.
Well-trained teams of workers rowed stone-carrying boats
across the Nile, then pulling the huge boulders overland to
their destination. The process demanded backbreaking efforts and
considerable endurance and patience on the part of huge numbers
of workers and other staff, working in harmony and unison.
Undoubtedly this was a significant success factor for ancient
Egyptian architects.
At present, one can easily appreciate the aesthetic and
artistic value of ancient Egyptian temples and tombs with their
copious ornaments, mind-boggling artistic elements carved out
with exceptional creativity. Ancient Egyptian buildings
reflected builders conception of things as well as the needs of
the society. In building their tombs and temples, ancient
Egyptians put to good use their wealth of knowledge and creative
genius; almost in the same way modern nations focus their
attention on improving their technological and professional
capabilities.
With ancient Egyptians, construction was an unceasing
practice. Under the reign of the one and same king, and often
several times, houses of deities were rebuilt or expanded, with
mural decorations refurbished or completed under orders of the
king, whose duty was to have temples erected or renovated.
Construction and Religious Rituals
With ancient Egyptians, construction was inseparably
associated with religious rituals. Temples and tombs figured
high within the main religious rituals. Certain ancient Egyptian
words were used to describe architectural drawings, foundations
and construction works well as the purpose of religious
building.
Indeed, buildings themselves with their form and decorations
were stone incarnation representations of religion and rituals.
According to ancient Egyptians beliefs, such buildings, made of
very solid materials, had the power of giving life through the
magic of simulation in this world and immortality in the after
life, even if no religious rituals were performed there.
According to some texts, a temple, with its contents, is a
miniature of the world of the dead. Accordingly, certain parts
of the tombs were shaped like houses and temples. The pyramid
may be compared to the first hill where the sun was first born
and the corridors of the Valley of Kings to those existing in
the nether world.
Construction supervisors and scholars in charge of the
rituals as well as master builders used to perform magic rituals
ordered by the royal decree to erect royal tombs and temples.
Pursuant to royal permission and with due regard for all
prevailing conventions and the nature of the land, as well as
astrological considerations; they could define the orientation
and location of the building.
Meanwhile, technical aspects and rituals required for the
construction process were prepared. Visible components such as
architectural and construction works were as important as
invisible ones such as burial of offerings and sacrificial
animals and re-using rocks carved out of other sacred places.
In fact, ancient Egyptians used funerary inscriptions and
scenes of religious rituals and afterlife mainly for religious
purposes rather than for mere decoration. Inscriptions and
paintings were laid in endless rows on the walls of temples,
courtyards, and rooms depending on their religious use. Examples
included stars portrayed on ceilings, swamp lotuses on ceiling
cornices, solar snakes, celestial eagles, with rows of water and
land spirits below. The famous Egyptian cornice on top of doors,
temple gates, towers and rooms were stone geometrical forms of
stone, while sets of inscriptions on the upper parts of temple
walls were replicas of arches earlier used. With such astounding
genius of harmonizing materials, location, paintings and
ornamentation with worldly needs and religious rituals, the
ancient Egyptian architect could create magnificent symmetrical
and highly impressive masterpieces.
Building and the Status of Stone
Ancient Egyptians used two words for stones; one to denote
precious stones, such as turquoise and emerald brought in small
bags from eastern mines, red carnelian from Nubia and lapis
lazuli from Asia. Semi-precious stones were used most adroitly
in making amulets or inlaid into wood or gold.
The other type was stone blocks used by sculptors and
builders. These were found in plenty, especially lime stone.
Rough stones were used in building interior walls and
foundations, while fine stones, cut out with special care, were
used in decorating main walls or erecting colossal temples.
Yellow limestone was brought from Al-Silsila Mount, white
limestone from Tura, and gray or red granite from Aswan and
alabaster from central Egypt. The temple of Ramsis I, where
almost all these types of stone were used, is the best
illustration.
Basalt was often used in paving roads and laying lower
courses of buildings. Generally, the above-mentioned stones, in
addition to diorite, marble and porphyries were used in making
statues and utensils. Convertible diorite was used in making the
famous Chephren statue. Many scarabaeuses and other objets
d'arte were made of soft steatite.
Pharaonic Creativity
Using robust copper or bronze chisels, Ancient Egyptians not
only carved out limestone but also molded the hardest of rocks
and stones and inscribed their fine hieroglyphics on them. Long
before circa 4000 BC, their ancestors of the Modern Stone Age
made beautiful utensils with only very simple tools. Before the
Iron Age, Ancient Egyptians had no steel tools to use in
consummating such works that can not be made at present without
special tools such as power drills.
In this context, anthropologists argue that although working
methods used by ancient Egyptians were slower and harder, they
were no less effective than ours today. Studies of remaining
ancient tools and illustrations of sculptors at work show that
their working modalities were as follows: The overall design was
made, using a global-shaped hammer of more solid stone, then cut
with a saw and sanded out. Stone was carved with pointed-end
tools and drilled with a tool counterpoised with a bag of
pebbles. Cutting devices were made of hammered copper sharpened
with an abrasive material like modern sandpaper.
It is worth mentioning that, trying to imitate ancient
Egyptians, a young French artist attempted to use hammered
copper in carving granite, but failed. However, he succeeded in
creating precisely imitated pieces by using flint tools in
granite sculpture. This may be the starting point to get more
precise knowledge of the ancient Egyptian sculpture and to
revive the ways of the great ancient Egyptians who showed the
whole world how the art of sculpture and building should be.
Ancient Egyptians knew how to fortify their cities and to
surround their tombs with mud bricks and to build roomy temples;
for almost in 3200 BC, ancient Egyptians started using sun-dried
mud bricks on a large scale; a practice that persisted for long.
However, the temples of the most famous deities were built with
beautiful stone to stand time.
However, in 2800 BC, a genius architect called Imhoutep
thought of using stones in building premises of secret rituals
where people lived in life and afterlife.
Years after years many generations of skillful builders
invented new architectural styles. They improved the style of
building the pyramids and temples by using more stone blocks.
The Old Kingdom witnessed setting of features, styles and
decorations of ancient Egyptian architecture.
Most famous ancient Egyptian buildings
The pyramids
The pyramids have the deepest impression on the whole world's
imagination. They are the greatest and most famous structures
ever in human history.
The extraordinary great pyramid was built by Cheops, son of
Snefro. It covers an area of 13 feddans with an original height
of 146, of which 9 meters at the top were lost. The four angles
of the pyramid tilting at 51 and 52 degrees, face the original
four directions. The
interior of the pyramid was built with
decorated stones. It was coated with a bright layer of which
only some traces still remain. The only entrance of the pyramid
is located to the north side at a 16 meters height.
The burial chamber, where the sarcophagus of the king lies
bare, is made of granite. The ceiling of the chamber consists of
nine granite blocks weighing some 400 tons. Above, there lie
five separate niches, of which four have flat ceiling, while the
upper one has a slanting one to avoid collapse under the weight
of the overlying building.
Fortresses
Skillful ancient Egyptians later devised more sophisticated
methods for transporting earth and stone to build defense
structures. Through out Pharaonic eras, sensitive border were
secured by strong defense means. From the early dynasties
onward, royal palaces were surrounded with high clay walls
erected around the outer courtyards of the tombs of princes in
later eras. Other examples include Zoser wall in Sakkara and
walls around certain sarcophagi. Oval-shaped fortresses were
built with round supports in the same style used in earlier
epochs.
During the Middle Kingdom, more sophisticated defenses were
erected, consisting of huge 5-6 meter-high, mud brick castles
with dual walls, barriers and terraces and sometimes with mobile
towers and trenches. Fourteen fortresses were ingeniously built
on the islets and mountains lying between the first and third
cataracts on the Nile by Snosert III, conqueror of Nubia.
Another manifestation of this style can be seen in the Prince's
Wall, built by Amnemhat I in Al-Tolombat Valley to fend off
Asian invaders.
Probably, that style of fortress building may be the origin
of the myth widely circulated up to the time of the Arab
conquest of Egypt, that an ancient Egyptian king had built a
defense wall extending from Al Farama in Sinai to Heliopolis. To
a large extent, the fortifications built by ancient Egyptians in
that area are much similar to the Great Wall of China. Later,
when ancient Egyptians conquered Asia during the Modern Kingdom,
they adopted the common Asian fortress design known as the
Migodol.
This was almost similar to the European castles of the Middle
Ages, with the outer walls fitted with arrow shooting ports and
small towers. On the other hand, the gate of the temple of
Ramsis II in Habu was only a replica of the Asian-Syrian-style
fortress. Since time immemorial, Egyptian fortresses were
totally invulnerable.
Edfu Temple
Edfu was the capital of the second region in Upper Egypt. It
was a city of great importance and prosperity during the Old
Kingdom. It owes its fame to a spacious Ptolemaic temple, one of
the most famous religious monuments in Egypt.
The 137-m-long, 79-m-wide and 36-m-high temple is still
exceptionally almost intact, with its hall, columns, stairs and
ceiling still maintaining their original state. In addition, its
colors and decorations still look fresh. It is not even hard to
imagine how all these looked like at the peak of their glory. At
the entrance, there lie two obelisks in front of the entrance
with statues in the courtyard. The hall of columns look so live
that a visitor may think he will soon see priests with their
immaculate robes strolling around the place.
Karnak Temple
"All I have seen in Thebes and all I have strongly
admired on the west bank of the Nile was by no means comparable
to the Karnak. No people, ancient or modern, had thought of art
or architecture in such a superb and extensive scale or with
such grandeur as the ancient Egyptians did. They made me think
of people each 100-feet-tall," said Champillion. Al Karnak
temple itself is a world where one may get totally lost. In
order to perceive the overall system of these mind-boggling
buildings, one should climb to the top of the first edifice
built there. In front of the Temple, there lie the grand court
of the Ethiopians and Sheshanq Gate. At the back there lies the
great roofed hall built by Ramses, followed by Hetshepsut's
obelisk and Thohomous' granite temple and ceremonial hall.
In the background, there lie the eastern gate, with the
Sacred Lake, ruins of Osiris tomb, the temple of the infant
deity Khonso, faced by Eurgetes edifice and Opit temple.
Obelisks
Sanctification of obelisks dates back to the pre-dynasty
period. The architectural use of obelisks all over ancient Egypt
took its origins in Heliopolis especially during the Modern
Kingdom. Ancient Egyptians used to build two obelisks, one at
each side of the temple
gate. In certain cases when the sun cult
was restored, a single obelisk was erected at the center of the
temple. An example of this design can be seen in the sacred
stone in Heliopolis. Those obelisks with vertical sides and
tilted pyramidal-shaped caps were reminders of the sun cult.
Made of red Aswan granite, very little is yet known about how
those structures were carved transported or erected.
One obelisk could weigh hundreds of tons; the biggest
unfinished one, still lying at its quarry in Aswan, weighs more
than 1000 tons. At present, only five obelisks still survive in
Egypt while more than 50 ones stand in the main squares in
capitals of Europe and USA.
On the 30th anniversary of building the Aswan High Dam, the
international Dams Commission, selected the Aswan High Dam as
the best hydraulic and engineering project in the 20th century
This was the result of a study conducted over three years by a
panel of prominent dam experts, involving a comparative analyze of 120 international dams all over the world.
Although, the Aswan High Dam is not the highest and biggest in
the world, yet, it is next to none, in terms of economic
advantages in the fields of agriculture and industry, electric
power generation, fish wealth development and protection against
floods and draught. This international testimony proves that the
Aswan High Dam is the best in the world.