The Temple of Derr, like many others in Nubia, was dismantled
in 1964 in order to save it from the waters of Lake Nasser. It
was moved to a new location close to that of the temple of
Amada from its original site on the Nile's east bank a few
miles to the south. This is another example of Ramesses
II's
rock hewn temples, built during about the 30th year of his
reign to celebrate his Sed
festival. This temple is similar in
many respects to his other speos style monuments in Nubia,
including Abu Simbel. The ancient Egyptians named it
"Temple of Ramses-in-the-House-of-Re".
However, unlike many of his best known temples in Nubia,
which were built, it would seem, primarily as a display of his
power, often in remote areas where little actual priestly
activity took place, this one was built in apparently a much
more populated region. In fact, on her journeys in Nubia,
Amelia Edwards tells us that the town where it originally
stood was the Nubian capital at the time of her visit.
However, given the temples relatively small size and well
known crude execution, it is difficult to believe that Derr
was any type of real, thriving community when the temple was
built.
Also, like other rock hewn Nubian temples, some of the
temple's decorations were lost due to its use as a
church by early
Christians. However, a number of scenes
remain, including one depicting a procession of his children
with girls on one side of the temple and boys on the other, a
theme used often by Ramesses
II. Where the reliefs are
preserved, the paint is often vivid.
Nothing has remained of the pylon that must have stood in
front of the temple, or the forecourt from which the temple
was probably approached. What remains of the temple that was cut into a cliff,
and today it basically consists of two pillared halls and the
rear sanctuaries, all oriented north-south. We do know that Both halls are
mostly square. The first, cut into the rock, but
possibly using masonry for roofing slabs, measures about
fifteen by twelve meters and has three rows of four pillars.
The third row consists of engaged Osiride Pillars of
Ramesses II
that are larger than the others. This is a typical theme in
many of his Nubian temples, though here, the arrangement does
not conform to the usual one, where the pillars and adjoining
statues face the central axis of the temple, but instead face
the entrance. In this first hall,. low relief scenes on the
side walls cover topics of war, whereas on the rear wall there
are scenes of triumph.
The second hall follows the axis of the temple and measures
twelve by thirteen meters and is five meters high. It
contains six, tapered pillars mounted on projecting bases and
surmounted by transverse architrave. Here, the process of
laying out the plan and the low relief work was carried out
very inaccurately. The ceiling is was covered with stucco and
then painted with a series of vultures along the center axis.
Along the upper part of the walls runs a frieze of uraei
alternating with the royal cartouche of Ramesses
II. Lower on
the walls are scenes of a religious motif, including Ramesses
II's jubilees, his purification and the reception of the bark.
Other scenes depict Shu,
Tefnut and
Montu. On the sides of the
pillars are depictions of Pharaoh and a deity, including
Weret-hekau, Menhit,
Ptah
and Amun-Re.
 
Left: Pillars in the second Pillared Hall;
Right: Ramess makes offerings to Amun-Re in his orm of Kamutef, "Bull of His Mother"
Of the reliefs within, Amelia Edwards in her "A
Thousand Miles Up the Nile" tells us:
"But more interesting than all these - more interesting because more rare - is a sculptured
palm-tree against which the king leans while making an offering to
Amen-Ra. The trunk is given with elaborate truthfulness; and the branches, though formalised, are correct and graceful in
curvature. The tree is but an accessory. It may have been introduced with reference to the date
harvests which are the wealth of the district; but it has no kind of sacred significance, and is
noticeable only for the naturalness of the treatment. Such naturalness is unusual in the art of this
period, when the conventional persea, and the equally conventional lotus are almost the only
vegetable forms which appear on the walls of the Temples."

Ramesses II Before Various Gods
The second pillared hall gives way to three chapels. The
centermost of these sanctuaries, which was intended to
contain the sacred bark as indicated by depictions of priests
carrying the boat on the walls, contained a statuary group
consisting of Ptah,
Amun-Re,
Ramesses II
and Re-Horakhty.

The Second Pillared Hall looking back to the
center sanctuary
References:
| Title |
Author |
Date |
Publisher |
Reference Number |
|
Atlas of Ancient Egypt |
Baines, John; Malek, Jaromir |
1980 |
Les Livres De France |
None Stated |
|
Complete Temples of Ancient Egypt, The |
Wilkinson, Richard H. |
2000 |
Thames and Hudson, Ltd |
ISBN 0-500-05100-3 |
|
History of Egyptian Architecture, A (The Empire (the New Kingdom) From the Eighteenth Dynasty to the End of the Twentieth Dynasty 1580-1085 B.C. |
Badawy, Alexander |
1968 |
University of California Press |
LCCC A5-4746 |
|
Oxford History of Ancient Egypt, The |
Shaw, Ian |
2000 |
Oxford University Press |
ISBN 0-19-815034-2 |
|
Ramesses II |
T. G. H. James |
2002 |
Friedman/Fairfax |
IBSN 1-58663-719-3 |
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