The
ancient Egyptian name for Medinet Habu, in Arabic the "City of Habu"
was Djamet, meaning "males and mothers." Its holy ground was
believed to be where the Ogdoad, the four pairs of first primeval gods, were
buried.
Medinet Habu was both a temple and a complex of temples dating from the New
Kingdom. It adjoins the cultivation at the southern end of the Theban
necropolis, opposite southern Luxor. The area was one of the earliest places
within the Theban region to be associated with the worship of Amun. Hatshepsut
and Tutmosis III built a small temple to Amun on the site of an earlier
structure. Next to their temple, Ramesses III built his mortuary temple,
Medinet Habu’s most conspicuous standing monument.
Ramesses
III then enclosed both structures within a massive mud-brick enclosure that
included storehouses, workshops, administrative offices, and residences of
priests and officials. On the grounds of the entire temple complex, however,
are numerous other structures besides the small temple. There are the memorial
chapels of the Divine
Adoratrices of Amun. Less well preserved is the memorial temple of King
Horemheb, which he usurped from his predecessor Ay, that stands on the north
side of the Ramesses III enclosure. To its east are a number of tomb chapels
made for high officials of the later new Kingdom.
The
main temple is the great memorial temple of Ramesses III, the best preserved
of all mortuary temples of Thebes. It is called the Mansion of Millions of
Years of User-Maat-Re Meriamun, the throne name of Ramesses III, "United
with Eternity in the Possession of Amun in Western Thebes." It contains
more than 75,350 sq ft of decorated surfaces across its walls
The temple precinct measures about 700 feet by 1000 feet and was entered by
two stone gates in the mud-brick enclosure wall on both the eastern and
western sides. The western gate was destroyed when the temple was besieged
during conflict in the reign of Ramesses XI. The eastern entrance was fronted
by a quay, at which the boats that came in via the canals could moor. The
processional way led first between two porters’ lodges that were set into a
low stone rampart, built in front of the main enclosure wall, and then into
the precinct.

The rampart itself was a large gateway of distinctive design modeled after
a western Asiatic migdol or fortress. Fronted by guard-houses, the
gateway sides are decorated with images of the king trampling enemies of
Egypt, and sculpted figures of the monarch standing atop the heads of captives
project from the walls. A large relief representation of the god Ptah was
here, having the power to transmit the prayers of those unable to enter the
temple to the great god Amun within.
The upper rooms of the gate-house functioned as a kind of royal retreat or
harem, its walls graced with representations of the king relaxing with young
women. Perhaps it was here that the attempted assassination of Ramesses III
took place.
The temple itself is a slightly smaller copy of the Ramesseum built by
Ramesses II. Its massive outer pylons are the most imposing of any temple in
Egypt, and are decorated with
colossal
images of the king destroying captured enemies before the gods. The temple’s
outer walls also depict important battle and victory scenes over the Libyans
and Sea Peoples. These scenes are continued into the first court.
On the northern side of this court were large statues of the king as
Osiris, and on the south a columned portico with the window of appearances in
which the king stood or sat during formal ceremonies and festivities. The
large statues of the second court were destroyed in the early Christian era
when the area was converted into a church. Relief scenes here still in good
condition depict rituals connected with the god Min, and on the rear wall of
the portico, a procession of the king’s numerous sons and daughters.
The second court is devoted to scenes of religious processions, notably
those of Min and Sokar. Despite the generally good state of preservation of
the temple, the Hypostyle Hall has suffered greatly, the columns being reduced
to a small fraction of their original height. However, in the southwest corner
is a treasury building with scenes depicting some of the temple equipment. The
weighing of gold, depictions of sacks of gold, and precious stones also appear
on the walls. Other temple valuables were probably kept in a better-concealed
building immediately in front of the north wall of the sanctuary.
Off to the left of the second Hypostyle Hall is the funerary chamber of
Ramesses III, with the god Thoth shown inscribing the king’s name on the
sacred tree of Heliopolis.
The focus of the main axis of the temple is the sanctuary of Amun. It was
once finished in electrum with a doorway of gold and the doors themselves of
copper inlaid with precious stones. Behind the sanctuary lies a false door for
Amun-Ra united with eternity, namely, the divine form of Ramesses III.
On the southeastern side of the temple are the remains of a royal palace,
which was probably much smaller than the king’s main residence, serving as a
spiritual palace as well as the occasional royal visits. It was originally
decorated with glazed tiles, and its bathrooms were lined with limestone to
protect the mud-brick. From the palace, the king could enter the first court,
or peruse it from a window of appearances on its southern side.
To the right of the complex entrance stands the earliest section of the
complex, the so-called "Small Temple", founded in the 18th
Dynasty, and repeatedly expanded and usurped under later dynasties. It stood
on one of the most sacred spots in all Egypt, the primeval hill which first
rose out of the receding waters of Chaos. An inscription describes it as the
burial place of the four primal pairs of gods.
The core of this temple was begun by Hatshepsut and Tutmosis III, but her
name was later replaced by those of Tutmosis I and II. The structure was
incorporated into Ramesses’ temple complex and eclipsed by the construction
of the mortuary temple. Its entrance was later replaced by a pylon of the
Nubian King Shabaka and then usurped by his nephew Taharqa. A small fronting
gateway was built during the 26th Dynasty and usurped during the 29th
by Nectanebo I. To the north of this Small Temple are the sacred lake and the
so-called Nilometer, which is actually a well with a passage leading down to
groundwater level.
Inside and to the left of the eastern gateway are a group of chapel-tombs
belonging to the 25th and 26th Dynasties’ God’s
Wives of Amun. They ruled Upper Egypt nominally at that time. On the lintels
above the entrances to these chapels may still be seen the "Appeal to the
Living", which encouraged passers-by to repeat the Offering
Formula for the kas of these powerful women.
Because of its strong fortifications, Medinet Habu became a refuge in
chaotic times. The workmen of Deir el-Medina moved there during the late 20th
Dynasty, and the remains of the house of one Butehamun, a village scribe, can
still be seen there at the western end.
During the Christian era, the entire area was covered by the Coptic town of
Djeme and even the great temple itself was filled with dwellings and one court
used as a church.
Sources
- Oxford Encyclopedia of Ancient Egypt
- From the Cultural Atlas of Ancient Egypt by John Baines and Jaromir
Malek
- From the Complete Temples of Ancient Egypt by Richard Wilkinson
- From Dictionary of Ancient Egypt by Ian Shaw and Paul Nicholson
Also See Tour Egypt
Temple of Ramesses III at Medinet Habu
Marie Parsons is an ardent student of Egyptian archaeology, ancient
history and its religion. To learn about the earliest civilization is to
learn about ourselves. Marie welcomes comments to marieparsons@prodigy.net.
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