Sometimes the number and extent of antiquities in Egypt even
amazes us. Everyone at least has some idea of the pharaonic
monuments in Egypt, such as the Pyramids and ancient pagan
temples. More casual observers might realize that Egypt, and
particularly Cairo, is simply packed with important archaic
Islamic monuments. However, though some may know of Egypt's
most important Christian
monuments, few may realize the extent
of these important, early churches and monasteries built
during that religion's formidable years.Almost everyone, it would seem, who embarks on a standard
tour of Egypt will venture into Old or Coptic Cairo and will
gain some experience with the churches of Fort
Babylon. Yet
there are many important churches
and monasteries
outside that district,
though not so far away, and example of which is the area of
Zuwaila in the district known as Al-Khurinfish (Khurunfish,
al-Qurunfish) in the Fatimid section of Cairo near Al-Muski
off Shari Bain al-Surain. Here, we find the ruins of an old
monastery, some important churches, along with a several more modern
monastery (or convents). We know little about the ancient
monastery, but there survives the churches dedicated to St.
Mercurius (Abu al-Seifein), St. George, and its convent, and the oldest,
dedicated to the Holy Virgin, including its convent.
This district is important because tradition holds that it
was blessed by the Holy Family during their travels in
Egypt.
However, The Church of the Virgin Mary was also the
patriarchal seal for some three centuries, until 1660
AD.
The church of the Virgin Mary is known as the "Lower
Church", because it sits about five meters below ground
level with the Church of Saint George, known as the
"Upper Church", above it. The church of Saint
Mercurius is annexed to the lower church to the Northwest, and
close by is the Convent of the Nuns of the Holy Virgin
Mary.
The Church of the Virgin Mary
The church of the Virgin Mary, which predates the other
churches in this district, was probably founded in the 10th
century, though we only find it first mentioned at the
beginning of the twelfth century on the occasion of the
consecration of the new bishop of Cairo under Macarius'
patriarchate (1102-1128).
Unfortunately, the church was destroyed in 1321, but when
it was rebuilt, it had the honor of being the see of the
Coptic Patriarchate. During the following centuries, it was
often remodeled and restored, with the result that the
fourteenth century structure has been notably altered. Hence,
today the original basilican structure can hardly be traced.
Originally it featured a relatively small transept and a
semi-circular apse fronted by a khurus (choir).
Today, the church measures 28 by 19 meters and stands 11.5
meters high. It comprises a narthex (entry hall), a naos (a nave
with two side aisles) and choir, along
with three sanctuaries (haykal). There is also a library that
boasts a number of valuable manuscripts and we may also find a
number of important icons, including a representation of the
Annunciation that dates from about 1355 AD.
Three rows of ancient
(reused) marble columns with Corinthian capitals separate the nave from the narthex and the northern and
southern aisles. There is a marble ambon (ambo, a pulpit) which is supported on
four slender twisted columns that rests against the northern
columns. Its lectern is in the form of an eagle carved in
wood. Stretching across the choir is a beam
adorned with a modern painting of the Last Supper.
The screen (iconostasis) of the central sanctuary is made of ebony and
inlaid with finely worked ivory. The screen is surmounted by
thirteen icons representing the Virgin surrounded by the
Twelve Apostles. Above the icons is a rood with an eagle in
conflict with a dragon on either side. On each eagle rests a
panel showing, on the right, John the Baptist and, on the
left, the Virgin Mary. The sanctuary door, which dates to the
Fatimid Period, is made of fine ivory panels sculptured in
relief depicting birds and animals. Over the sanctuary rises a lofty dome
ornamented with gated pendentives1. The altar canopy itself is
a dome, supported on four marble columns. in the apse there is
a fine tribune that rises in six marble steps. In the center
is the synthronon2.
In the floor just before the southern sanctuary is a well
where, according to tradition, the water was blessed by the
young Christ during the flight of the holy family in Egypt.
Its waters are said to have a healing effect on the sick, and
each year, Ethiopian priests come to take water from the
well.
The southern sanctuary has a screen with inlaid ivory and
is dedicated to the archangel Gabriel. Along the top of the
screen are seven icons dating to the 19th century that
represent the Annunciation, the Nativity, the Baptism, the
Entry into Jerusalem, the Resurrection, the Ascension and the
Descent of the Holy Spirit.
A door on the right of the southern sanctuary gives access
to a shrine where several well known icons may be found. On
the southern side is a 14th century (probably) icon of the
Holy Virgin Mary. We are told that whenever the Patriarch
Matthew I (1378-1408) fell into temptation, he would stand
before this icon, addressing it in supplication as if it were
a person. It was then that the Holy Virgin would appear before
him, easing his burdens and comforting his soul. Saint Ruwais
is also said to have prayed before this very icon. The icon
depicts the Holy Virgin Mary, seated on a tree that grows from
the back of Jesse (Isa. 11:1-10). About her are the four
major, and twelve minor prophets. Above them are two
angels.
At the east end of the northern aisle of the church are two
sanctuaries, also separated by screens with inlaid ivory. The
screen before the first sanctuary, dedicated to the archangel
Michael, is dated to about the year, 1778, The second
sanctuary is dedicated to Saint John the Baptist.
There is also a shrine on the west end of the church were
we find an additional three icons. The center most of these
depicts the Crucifixion, while on the right is the Baptism of
Christ and on the left, the Holy Virgin.. A doorway in the
northwest corner of the northern aisle communicates with the
Church of Saint Mercurius.
The Convent of Nuns of the Holy Virgin Mary
A convent is annexed to the Church of the Holy Virgin Mary
at Harat Zuwaila. It was built by the Patriarch Cyril IV
(1854-61). The nuns have a chapel in the gallery on the north
side of the Church.
The Church of Saint Mercurius
The Church at Harat Zuwaila dedicated to Saint Mercurius
was built by al-Mu'allim Ibrahim al-Gawhari in the late 1700s
(1773-1774 AD). It consists of a nave, a choir, the northern
and southern aisles, three sanctuaries and a baptistery. The
nave is surmounted by a dome and the central sanctuary with a
semidome. The nave has an ambon supported on six wooden
columns.
The aisles are separated by two rows of three columns. The
screen of the central sanctuary is wood inlaid with ivory, and
along the top of it is a row of icons.
The Church of Saint George (Also known as the Upper
Church)
This is a small church which sits atop the Church of the
Virgin Mary at Harat Zuwaila. Dedicated to Saint George, it
consists only of a nave and three sanctuaries. Just outside
this church is a small chamber that contains a shrine of the
Holy Virgin Mary. Behind the latticed screen is an icon of the
Holy Virgin together with icons of saints. Apparently,
for their is little information concerning this, there is also
a convent of nuns attached to this church as well.
1. Architecturally, a triangular segment of a sphere, bordered by arches and resulting from the
interpenetration of a cubic space (bay or room, square in plan) and a hemisphere, the latter
constructed from the circle circumscribed over the square of the plan.
2. In East Christian and Byzantine churches, the bench or benches reserved for the clergy;
arranged either in a semicircle (sometimes amphitheatrically) in the apse or in straight rows on
either side of the central sanctuary.
References:
| Title |
Author |
Date |
Publisher |
Reference Number |
|
2000 Years of Coptic Christianity |
Meinardus, Otto F. A. |
1999 |
American University in Cairo Press, The |
ISBN 977 424 5113 |
|
Christian Egypt: Coptic Art and Monuments Through Two Millennia |
Capuani, Massimo |
1999 |
Liturgical Press, The |
ISBN 0-8146-2406-5 |
|
Churches and Monasteries of Egypt and Some Neigbouring Countires, The |
Abu Salih, The Armenian, Edited and Translated by
Evetts, B.T.A. |
2001 |
Gorgias Press |
ISBN 0-9715986-7-3 |
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