Isis and the serpents share a long history. In the beginning, the word
for "deity" was composed of the god or goddess's name and
the small image of a snake, most likely a cobra. There is some
speculation that the pharaohs of Egypt were ritually sacrificed at the
end of their term, and that the Sed festival, or jubilee, was
originally the moment of truth for the pharaoh, who would celebrate
his reign and then accept the bite of a poisonous asp.
While
direct evidence for this practice is scanty now, it is interesting
that Cleopatra chose this method to end her own life when she believed
that it was futile for her to attempt to continue her rule of Egypt.
Cleopatra, no matter how we interpret her in modern times, was a
rarity among the Ptolemaic rulers. She studied ancient Egyptian and
was proud to be a priestess of Isis. There is some evidence that the
priesthood of Isis made a bargain with Julius Caesar to support her
claim to the throne of Egypt. Did she know something we don't about
the practice of ritual royal suicide in previous times?
In myth, we have an echo of this practice in the story of Isis and
Ra. In this story, Ra is old, so decrepit that as he goes on his daily
travels, his spittle dribbles onto the ground. The needs of humankind
are neglected; the universe itself is fraying a bit due to the
inability of the solar power to maintain order.
Isis,
a magician, a wise woman, is distressed by this state of affairs. She
looks at the neglected fields, scorched by accident by Ra. She looks
at the dried bed of the Nile, evaporated by Ra in a frenzy of heat.
She looks at the parched, sunburned skin of the human people of earth,
the dried-up breasts of mothers whose babes cried unsatisfied, at the
dehydrated animals, dying in their tracks as they quested for water.
She looks at the rainclouds far away whose moisture would not even
reach the ground before it was burned away by Ra's mad power. With one
word, he can set all right again. But he will not speak the world. His
bones are old, he likes the heat. His eyes are growing dim, and he
needs his own great blaze of light to let him see. He will not speak
the word.
Isis, a magician, a wise woman, a daughter of Ra, conceives a
desperate plan. She knows the art of image magic, and can create life
out of inanimate objects. But for the supremely immune Ra to be
affected by her arts, the image must have something of him in it. One
day, Isis follows after Ra and gathers the earth that he has moistened
with himself. She fashions from it an image of a small snake, the very
toxic dart, and brings it to life.
Isis lays the snake in his accustomed path, with the instruction to
bite Ra as he passes. This he does, and the snake springs up and
clamps its fangs into the divine flesh. Ra, surprised, makes his way
back to his abode, where a tremendous fever takes him. He shudders in
his limbs, he cannot believe the virulent poison can be harming him,
Lord of the Gods. His own fire should be sufficient to burn away any
other, but it is not. He has control over all the things of the
universe, but not this one. Too delirious to even begin to find out
why this creature's poison can harm him, he welcomes Isis, who rushes
in, to apparently comfort him.
"Oh, my father, what is it? What causes you so much
pain?" "I wandered today and was bitten -bitten by a
snake!" "But father, how can the venom of a mere snake harm
you, who rules all beasts?"
"Daughter, I do not know ---AHHH! The pain! It burns me! I
burn from within like fire! Heal me!" Isis goes through the
motions of healing him, but it is useless, as she well knows.
"Father, I cannot heal you. The power of the poison is too
strong!" "What am I to do! What am I to do! I cannot bear
it!" "There is one thing that might work, father. Give me
your name. In your name I may be able to command the fire to
cease." "Unnnnngh....I am the Lord of Light, the Power of
Fire...." "Yes, yes, everybody knows those. Those aren't
working. Give me your name, your one true name." "AAHAHHAGH!
No....not my true name -...not even to you, my daughter....AHHAHGH!"
"Give me your name, father! Your one true name, your one secret
name, the name before all other names, give it to me that I may save
you!" "Ahhhhh...... aaaaa ....all right......my
daughter.....come close......AHHH....."
Isis leans her ear to her father's mouth. He speaks syllables to
her. She straightens up in disgust. "Father, if you do not give
me your true name, you will die of this burning. Don't play games with
me, Isis of the Words of Power. I'll know the true name when I hear
it. That's not it." "AHHHHHHGHHGHHGHG! I will tell it! I
will tell it!" Isis leans in. She hears the mystical syllables,
and this time, she rises up, satisfied. "What are you waiting
for! Now heal me, daughter! Heal me!" Isis speaks the words, the
syllables of Ra's one true name. The poison flees his limbs, the sweat
dries on his brow, he lies back in relief, free. "Now, daughter,
speak the words back to me, give me back my one true name, my one
secret name." "Father, one day I may need to heal you again.
If you have lost all consciousness, how could you tell it to me then?
No, I will keep this word." And Isis left her father's bedside.
She went and stood alone in the sunlight. She looks at the neglected
fields, scorched by accident by Ra. She looks at the dried bed of the
Nile, evaporated by Ra in a frenzy of heat. She looks at the parched,
sunburned skin of the human people of earth, the dried-up breasts of
mothers whose babes cried unsatisfied, at the dehydrated animals,
dying in their tracks as they quested for water. She looks at the
rainclouds far away whose moisture would not even reach the ground
before it was burned away by Ra's mad power. Isis says the Word, and
the Word is good.
So Isis has been associated with snakes from apparently the very
beginning of her career as a goddess. In Egypt, her images often
include the snake, especially the cobra. The cobra is often depicted
on the base of the crown of Isis. The sacred uraeus, which, when worn
by queens, indicates their identification with the divine, is a near-
constant companion. In images from the Graeco-Roman era, priestesses
are depicted carrying serpents in procession. Serpents entwine around
surviving altars, or rise up around the body of Osiris.
Even in ancient Egypt, the symbol of the snake indicates power,
sometimes referred to as the "flame". Many of the
representations of snakes in conjunction with Isis are symbols of what
we sometimes call "Kundalini" - the serpent line band of
energy that connects our power centers together.
One of the most important forms of Isis as snake goddess is that of
Thermouthis, the serpent goddess of the fields, often represented as a
cobra crowned with the headdress of Isis.
Isis and Wadjet
Isis is the Throne goddess, wearing the seat of power as her
symbol. The other throne-related symbol is that of the Wadjet, which
refers to the goddess of that name and to the flaming serpent
protecting the throne. It's natural that Isis would also be associated
with the protective force of the throne.
In the Pyramid Texts, the creator-god Geb, god of earth, gave the
cobra as a symbol of legitimacy to the king. When Isis is raising
Horus at Khemmis in the Delta, Wadjet is said to be his nurse. Wadjet
also had a leonine form, as did Isis. The name "Uraeus, which of
course is a Greek version of the Egyptian, derives from the term
"yaret" which refers to the cobra as it rises up in anger,
preparing to spit flames to defend the Pharoah. This defense can also
be offensive - the cobra worn on the forehead of the king acts as a
kind of spiritual flamethrower during times of war.
Even Ra wears the Uraeus, which wraps around his soalr disk. Wadjet
also defends Ra, destroying evil serpents in the underworld. The power
of the Uraeus endured even in the Amarna period, still clinging to the
abstract solar disk favored by Akhenaten. Even he could not safely
dispatch the sacred snake.
Some Snake Names
- Isis and Nepthys: Aar-ti, or Arar-ti, the two Uraei-goddesses
Ahkuti
- The two snake goddesses (probably Isis and Nepthys) Isis alone
- Ast A uraeus in the boat of Af
- Isis and Renenutet (Thermouthis)
By
far the most potent snake form of Isis is when she is known as Isis-Thermouthis
or Isis-Renenutet. This cobra- goddess form is a guardian of the
Pharaoh and also a guardian of the granaries and fields. Renenutet is
often depicted as a woman with a cobra's head. Renenutet is also
considered to be part of the flame that protects the Pharoah,
combining with Wadjet to accomplish this task. Her gaze is said to
vanquish all enemies, clearly an observation based on the habits of
the physical cobra, who seems to hypnotize its prey. However, this
same intent emanation from her eyes causes things to grow. She is
believed to be part of the force encouraging the child in the womb to
enter this world. She, like Isis, is a fate goddess, associated with
the span of life and the fortune that comes with each life.
Renenutet was mated with Sobek, one of Isis's alternative husbands,
and she is shown as a nursing mother, occasionally with a crocodile as
the baby. Ouch!
Renenutet was mated with Sobek, one of Isis's alternative husbands, and she is shown as a nursing mother, occasionally with a crocodile as the baby. Ouch!
The Greeks called Isis combined with Renutet "Isermouthis". In the Hymns of Isidorus, Isis is
praised as Isis-Thermouthis.
"Hail, Agathetyche, greatly renowned Isis,
mightiest Hermouthis, in you every city rejoices;
O Discoverer of Life and Cereal food wherein all mortals delight because of your blessing(s)..."
Another hymn asks:
"Who built this holy temple to greatest Hermouthis?
What god remembered the All-Holy One of the Immortals?
He marked out the sacred shrine as a high Olympos.
For Deo highest, Isis Thesmophorus..."
In fact, prior to her conjoining with Thermouthis, Isis was not often regarded as a cereal
goddess, a goddess of grain. This identification was crucial to her later
identification with Demeter, and her rite of the Thesmophoria.
Isis and Sarapis
The most prevalent snake form of Isis, however, appears when she is depicted with
Sarapis. Both of them frequently have coiled lower bodies very reminiscent of the
Chinese goddess Nu Kua and her consort, and this can be seen as a metaphor for the energy exchanged in sexual
intercourse. The lower bodies are united; the upper bodies are free to ascend in the air, paired
but still individual.
Temple Practice
At one temple, potential priestess walked barefoot through a room filled with allegedly
venomous snakes or scorpions. If their faith were strong, supposedly they would
not be bitten. Or, perhaps, if their faith were strong they WOULD be bitten, and given an experience of the
realms of death which is often mentioned in connection with initiation ordeals.
In the Mensa Isiaca, an altar top made in Alexandria, Isis sits
throned, surrounded by serpents with crowns.