Ramesside period scenes adorn the north, south and east
facades of the outer Tuthmosis walls of the Great Temple
of Amun at Karnak
in ancient Thebes
(modern Luxor), that terminate at the two sides of the eastern
sanctuary. For example, the bas-reliefs of the northern
partition of the third Tuthmosian enclosure are in the name of
Ramesses II.
His Horus
name is discernable here, carved in very fine hieroglyphs,
under Amun
and Mut receiving offerings. The spiral of Mut's
double crown winds around within the body of a small, earlier
figure of Amun on which an inscription is outlined that reads,
"Mut, mistress of Heaven, queen of the neters".
On the southern portion of the east facade of the enclosure
wall, Ramesses
II had scenes carved in his name that are oriented in the
direction of the alabaster naos of Tuthmosis
III.
In the middle of the outer east wall of the third enclosure
that surrounded the Great Temple
of Amun is
located the eastern sanctuary of Amun-Re, which is known as a Chapel
of the "Hearing Hear". It is a small sanctuary
which contained no entrance to the inner temple because it was
built for common Egyptians, who were not generally allowed
into much if any of the temple proper, in order to allow them
to worship and partition the all important god, Amun.
Common ancient Egyptians frequently built within their
houses small altars to worship their gods, as well as small
private temples for communal use. However, state
temples built for the benefit and worship of the gods were
rare, and mostly consisted of small structures attached to the
rear, closest to the actual inner sanctuaries, of major
temples. Such temples never had access to the main temple to
which they were attached, but they must have played a
significant role for religious worship by the common
Egyptians.
Today, this eastern sanctuary consists mostly of an
enormous alabaster monolith of Tuthmosis
III which is flanked by lateral chambers.
This huge, single piece of alabaster is preceded by a
large hall that opens on the east side. Each of the two outer walls
of this naos contained scenes in which Tuthmosis III presented
offerings to fifteen figures of Amun
in sheaths. Each of the images is seated upon a throne and holding the was scepter
with both hands. On the north wall, which is the best
preserved, the king holds the cane and the club in his left hand and consecrates the offerings with his right,
"To Amun in each of his names."
This
monument presses directly against the back of the wall of the
principal temple, which has been slightly hollowed out for the
structure. It contains two engaged statues, both greatly damaged.
It is presumed that the statue on the north
represents Tuthmosis
III, though the one on the right is difficult to
identify. It has been suggested that this second statue
may be that of Mut
(Champollion), Hatshepsut
(Steindorff), Amun
(Borchardt) or perhaps Nekhebet
(Lubicz).
The facade of this hall is adorned by quadrangular pillars
decorated externally with engaged, Osirian statues. This
entire group of structures is then framed by the bases of two
broken obelisks of Queen Hatshepsut
(now destroyed) that are enclosed within
two chapels of Nectanebo
I. These latter have been established
in the face of two large images of Amun,
which were probably highly venerated, that form the final
point of two long series of tableaux depicting Ramesses
II before the great state god.
Just behind the Temple
of Amun's primary axis at Karnak
in
ancient Thebes (modern Luxor), is the Eastern Temple of
Ramesses II, followed by a colonnade built by Taharka which
finally leads to the gate of Nectanebo
I in the very back of
the complex set in the enclosure wall.
The small temple of Ramesses
II was conceived of as a
peristyle court, with two Osirian pillars in the center.
Between it and the main temple complex is an offering
table.
All the columns of the temple of
Ramesses II and the small
room preceding the area where a single obelisk once stood are
made from the shafts of ancient Tuthmosian polygonal columns,
recovered with plaster and bearing the cartouches of Ramesses
II. The central doorway that currently provides access between
these two rooms was only opened during the reign of Ptolemy
VII, according to the dedication inscribed on the south
doorpost. Also, on the southern part of the splaying of this
new doorway is a depiction of worship of the "souls of
the east" by four baboons. On the north it is the
"souls of the west".
The missing obelisk
was removed from Karnak
by the emperor Constantine around 330 AD and transported to
Rome in 357 by his son, who installed it in the Circus Maximus.
It was rediscovered there, broken in three pieces, in 1587.
The following year, Pope Sixtus V had it raised in the square
of Saint John Lateran where it currently remains in a very
non-pagan setting.
The upper four faces of the obelisk each bear three
vertical lines of inscriptions. The central columns are those
of Tuthmosis
III, while the lateral columns are of Tuthmosis
IV. On the lower part of the southern face of this obelisk
below the title of Tuthmosis III, the king specified that he
had a single obelisk created, destined to be erected in the
forecourt of the temple of Ipet-sut, and he emphasized the
fact that this was the first time an obelisk was raised alone.
On the same southern face, Tuthmosis IV records that he
finished this single obelisk of his "father" after
it had remained resting on its side in the hands of the royal
engineers for thirty-five years. He erected it in Karnak
as instructed by his "father", making its pyramidion
of electrum.
Actually, we must note that Tuthmosis IV was really the
grandson of Tuthmosis III.
Tuthmosis
IV also provides that, "He has made as his memorial
for His Father Amun-Ra [the act] of erecting for him an
obelisk of great size next to the upper gate of Ipet-sut next
to Thebes", which explains its location at the southern
end of the temple.
The Eastern Temple of Ramesses II actually opens on the
east, opposite to the main complex. It is proceeded by a
colonnade built by Taharka that consists of four rows of five
columns each linked together by small walls of
intercolumniation on which are represented the nomes and the
characteristic scenes of the "royal ascent:" to the
temple. The central colonnade borders a red granite
pavement.
Beyond this colonnade, set in what was once the enclosure
wall of the Temple of Amun, is the gate of Nectanebo
I. This
portal stood nearly 20 meters tall. It was set into the outer
enclosure wall that was itself constructed on a bed of bricks
that are alternately convex and concave, thus forming an
undulation.
Champollion said of the gate of Nectanebo
I:
"This immense gate, for which the upper portion
is made of enormous blocks and the doorposts from smaller
stones but assembled with a great deal of care, provides
entrance into the great enclosure of Oph (Karnak) on the
east side. The large enclosure of baked bricks touches on
both the left and right side of this propylon, which has
never been adorned with any sculpture, either on its top or
jambs, on the inside as well as outside of the enclosure,
except that toward the back on the left side (when exiting)
there are t3wo tableaux of worshiping carved in the
thickness of the doorway."
On the west, the lintel is formed of two enormous
monolithic blocks, with a third from which the mold of the
torus has been cut out. On the stone monolith of the
cornice's first course, a large rectangle facing the setting
sun is worked in relief, at the site of the uraei-flanked
disk. On the east side, the torus, the disk facing the rising
sun and the uraei are sculpted, rather than in relief.
Much of the decoration of the gate was never completed. On the east facade of the lintel, on the left, only the upper
part of Ptolemy II Philadelphus offering Ma'at is carved out,
while Amun has only his feathers, his lower limbs and his
throne. Behind him the upper portion of Mut's body is carved
in sunk relief, while the lower part is simply marked out.
Aside from her crown, Queen Arsinoe is entirely drawn out in
dots, while in the next figure only her forearms and her right
hand are marked. On the right, the king, Amun and Khonsu are
sculpted down to the waist and cut in half by the joint. The
lower parts of their bodies are completely missing.
These structures terminate the Temple
of Amun proper at Karnak
on its southeastern end.

Ground plan of the eastern region of the Temple of Amun at Karnak
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See Also:
Resources:
| Title |
Author |
Date |
Publisher |
Reference Number |
|
Complete Temples of Ancient Egypt, The |
Wilkinson, Richard H. |
2000 |
Thames and Hudson, Ltd |
ISBN 0-500-05100-3 |
|
History of Egyptian Architecture, A (The Empire (the New Kingdom) From the Eighteenth Dynasty to the End of the Twentieth Dynasty 1580-1085 B.C. |
Badawy, Alexander |
1968 |
University of California Press |
LCCC A5-4746 |
|
Luxor, Karnak and the Theban Temples |
Siliotti, Alberto |
2002 |
American University In Cairo Press, The |
ISBN 977 424 641 1 |
|
Temples of Karnak, The |
de Lubicz, R. A. Schwaller |
1999 |
Inner Tradition |
ISBN 0-89281-712-7 |
|
Thebes
in Egypt: A Guide to the Tombs and Temples of Ancient Luxor |
Strudwick, Nigel & Helen |
1999 |
Cornell University Press |
ISBN 0 8014 8616 5 |
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