Like some of the other Ramesside tombs
KV1 has
been open since antiquity, at least since Greek and
Roman times.
It was mentioned in more recent times by Wilkinson, Lane, Hay
and other 19th century travelers. Later still, Davis may have
done some work in the tomb between 1905 and 1906, but there is
no information on its actual clearing earlier in the 20th
century. The tomb may have seen some clearing activity by the
Egyptian Antiquities department after 1952.
Since 1984, Edwin Brock has
worked the tomb intermittently, at first clearing the pit in
the burial chamber floor. However, the tomb underwent some restoration
and cleaning by the SCA in 1994, when a new path was put in
place. They cleaned the tomb's walls and filled cracks in the
walls and ceiling with plaster, covering up some ancient
graffiti in the process. At that time, Brock cleared the area
in front of the entrance down to the bedrock in an
unsuccessful bid to find foundation deposits.
While the tomb appears to be
open to the public, the walls and ceilings of the first
corridor suffer from some cracks, though the plaster seems to
be intact and is not damaged from cracks, vandalism or later
graffiti. Edwin Brock tells us that:
"Until the recent
work to prepare the tomb for access by tourists, the wadi in
which it is located remained relatively untouched by past
archaeological exploration and the site retained much the
same appearance that it probably had since
antiquity."
The tomb of Rameses VII Usermaatre Setepenre Meryamun
(20th Dynasty)
is a small tomb of typical late Ramesside plan, and can be
found at the entrance to the Valley
of the Kings West
Bank at Luxor (ancient Thebes), a little way back
from the road.

A manuscript produced by Lane
indicated that there were possibly terraced walls around the
tomb, and Thomas believes they might have served as an ancient
attempt to control flood waters.
This tomb is a much smaller tomb than those of the
king's recent ancestors, consisting of only one corridor and a
burial chamber, with the addition of a possible unfinished room
and niche beyond the burial chamber. It has been suggested
that the finish of the masonry and the fine quality of the
relief work indicate a planned and executed small scale tomb,
perhaps dug with the realization that Ramesses VII would have
little time to complete the structure.
Right: Ramesses VII with Re-Horakhty
While the decoration in KV1 are
similar to those of Rameses
VI's tomb
(KV9), there are some
significant variations. Here, we find an almost atavistic
emphasis on Osiris, very traditional, with this gods
iconographic presence perhaps more strongly emphasized than in
any other Ramesside tomb.
Though some of the blue
pigments have fallen away, the initial outer lintel was decorated with the traditional
sun disc
containing the scarab and flanked by
Isis and
Nephthys below the
king's names. In the wide corridor, the fine quality relief
decoration is unusual, with the Litany of Re replaced by two scenes. On the left-hand side, the king is seen before an
altar offering to the falcon-headed solar god Re-Horakhty-Atum-Khepri,
and on the right he stand before Ptah-Sokar-Osiris and there is a hymn to the
gods of the Underworld.
Further along, we find the initial scene and first division from the
'Book of
Gates' (the barque of Re being pulled through the
Underworld, its cabin encircled by the coils of the mehen
serpent which helps to protect the solar deity) on the left, with the first scenes from
the 'Book of
Caverns' (the divinities paying homage to the dying
sun-god) on the right. On either side the king is depicted as
Osiris, being purified by the Iun-Mutef priest. The ceiling of the corridor is decorated with vultures and the
king's cartouches.
The corridor leads straight into a sarcophagus hall without a
well-room or antechamber. On the outer lintel of this chamber is the usual winged
disc. The entrance wall illustrates two goddesses. On the right
is depicted a composite goddess Sekhmet-Bubastis-Wert-Hekau and on the
left we find Wert-Hekau ('Great of Magic') each facing the doorway.
On the walls of the sarcophagus hall are scenes from the 'Book
of Aker' (the double-headed lion which symbolizes the horizon)
and the 'Book of the
Earth'. The selection of text is very
similar to that found in the tomb of Ramesses VI. The north wall depicts Osiris as
'Chief of the Westerners'. An astronomical ceiling features a
double scene of the
goddess Nut stretching across the heavens and constellations,
not unlike similar scenes found in the tombs of Seti I through
Ramesses III.
Beyond the burial chamber is a small chamber with a niche. It's
outer walls show the king facing the doorway on each side and
making offering to aspects of Osiris on the inner walls. The wall above
the niche illustrates the barque of the sun containing baboons
from the 'Book of Gates' supported by djed-pillars on the sides
of the niche.
The sarcophagus was cut directly into the floor of the tomb and
over this hollow was placed a massive stone covering, roughly
shaped like a cartouche (actually a sarcophagus box), decorated
with the usual lightly incised figures of Isis, Nephthys, Selkis and the
Four Sons of Horus in green paint. This is still in place, with an opening at
its foot where the body of the king was removed. Two circular
pits cut into each of the long sides at floor level may have
been intended for canopic
jars.
Otherwise, little else has been
found in this tomb. It has been reported that several ushabtis
(funerary statuettes) made of wood, calcite and faience were
discovered in the burial pit of the tomb. Other items include
some 20th Dynasty amphora pottery fragments and ostraca,
including sketches of the tomb decoration discovered by Brock.
Brock also recovered similar material as that found in the
burial pit near the tomb entrance, including basket fragments,
a floral garland and fragments of an amphora with a five line
hieratic text on one side and a caricature of a serving scene
on the other. There have also been potsherds discovered from a
period when the tomb was reused by Coptic
Christians.
The mummy of
Rameses VII has not yet been found. Four faience cups bearing
the king's name were found near the DB320 mummy cache that may
suggest his is one of the unidentified bodies of that find.
General Site Information
- Structure: KV 1
- Location: Valley of the Kings, East Valley, Thebes West Bank, Thebes
- Owner: Rameses VII
- Other designations: 1 [Hay], 1 [Lepsius], 7 [Champollion], A [Pococke], Ier Tombeau
à l'ouest [Description], O [Burton]
- Site type: Tomb
Orientation
- Axis in degrees: 327.72
- Axis orientation: Northwest
Site Location
- Latitude: 25.44 N
- Longitude: 32.36 E
- Elevation: 171.219 msl
- North: 99,803.743
- East: 94,006.256
- JOG map reference: NG 36-10
- Modern governorate: Qena (Qina)
- Ancient nome: 4th Upper Egyptian
- Surveyed by TMP: Yes
Measurements
- Maximum height: 4.25 m
- Minimum width: 2.74 m
- Maximum width: 5.17 m
- Total length: 44.3 m
- Total area: 163.56 m²
- Total volume: 463.01 m³
Additional Tomb Information
- Entrance location: End of spur
- Owner type: King
- Entrance type: Ramp
- Interior layout: Corridor and chambers
- Axis type: Straight
Decoration
- Graffiti
- Painting
- Sunk relief
Categories of Objects Recovered
- Architectural elements
- Domestic equipment
- Furniture
- Tomb equipment
- Vegetal remains
- Vessel stands
- Written documents
Dating:
History of Exploration
- Pococke, Richard (1737-1738): Mapping/planning
- Napoleonic Expedition (1799): Mapping/planning (plan and section, and recording of
decoration details)
- Burton, James (1825): Mapping/planning
- Wilkinson, John Gardner (1825-1828): Visit
- Hay, Robert (1825-1835): Mapping/planning (drawings of tomb and sarcophagus)
- Lane, Edward William (1826-1827): Visit
- Franco-Tuscan Expedition (1828-1829): Epigraphy
- Lepsius, Carl Richard (1844-1845): Epigraphy
- Ayrton, Edward Russell (1906): Excavation (reopening of the tomb and removal of the
coffin containing the mummy of Rameses VII to the Cairo Museum, filled in entrance
to tomb, the location of which was then forgotten)
- Service des Antiquités (1952 (or later)): Excavation
- Piankoff, Alexandre (1958): Photography
- Brock, Edwin C. (1983-1984, 1990, 1994): Excavation (search of burial pit, dump, and
foundation deposit for the Royal Ontario Museum)
References:
Archives
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