Mummies
is a term that today is used to describe natural or
artificially preserved bodies, though traditionally the word
was used specifically to describe the bodies of ancient
Egyptians where dehydration of the tissues was used to prevent
putrefaction. The word is derived from the Persian or Arabic
word mumia (or mumiya), which means "pitch" or
"bitumen". It originally referred to a black,
asphalt-like substance, thought to have medicinal properties
and eagerly sought as a cure for many ailments, that oozed
from the "Mummy Mountain" in Persia. There was such
a demand for this substance that an alternative source was
eventually sought and, because the ancient Egyptian mummies
often have a blackened appearance, they were believed to
possess similar properties to munia. Hence, during the
medieval and later times, they were used as medicinal
ingredient. The term mumia, or "mummy" was therefore
extended to these bodies and has continued in use up until our
present day.
Mummification of bodies was originally a natural process in
Egypt and elsewhere, where the dryness of the sand in which
the body was buried, the heat or coldness of the climate, or
the absence of air in the burial helped to produce
unintentional or "natural" mummies. These processes
have produced mummies not only in Egypt, but in South America,
Mexico, the Alps, Central Asia, the Canary Islands, the
Aleutian Islands and Alaska. Another type of natural
mummification also occurred in northwestern Europe where
bodies have been preserved when buried in peat bogs or fens
containing lime.
In some of these areas, the natural process was early on
intentionally developed by enhancing the environmental
conditions. Sun, fire or other sources of heat were sometimes
used to dehydrate the bodies, while at other times, the bodies
were cured using smoke. Also, natural material such as grass
could be used to surround the body, fill its cavities or seal
the burial place so that, by the exclusion of air,
decomposition and further deterioration was prevented.
Our Sources and Research on Mummification
What we know about Egyptian mummification comes from a
number of sources, including the archaeological evidence
provided by the mummies themselves, paleopathological studies
of the bodies, painted and carved representations in tomb
scenes and elsewhere that depict some stages of the
mummification process, and textual references in Egyptian and
other classical era accounts. However, there exists no known
Egyptian description of the technical processes involved in
mummification. No paintings or carvings provide an extant,
complete record of mummification, though some wall scenes in
the tombs of Thoy and Amenemope (tombs 23 and 41 on the West
Bank at Thebes,
respectively) and vignettes painted on some coffins
and canopic jars show some stages in the mummification
process. However, the earliest known accounts of mummification
that are relatively complete occur in the writings of two
specific Greek
historians (Herodotus
from the fifth century BC and Diodorus Siculus from the first
century BC).
Nevertheless, within Egyptian literature, there is
scattered references to mummification and the associated
religious rituals. In one text, called the "Ritual of
Embalming", is provided a set of instructions to the
officials who perform the rites that accompany the
mummification process, as well as a collection of prayers and
incantations to be invoked after each rite. This ritual is
specifically set out in two papyri, probably copied from the
same source and both dated to the Roman
period. They are the Papyrus Boulaq 3, now in the Cairo
Museum, and Papyrus
5158 in the Louvre. There are also references to the embalming
ceremonies in the Rhind Papyri and in other literary sources,
including inscriptions on stelae. However, it is Herodotus's
account that remains the most complete regarding the
mummification process.
In addition to classical texts and references, a surprising
amount of modern scientific research has been conducted in
regards to mummies. Sometimes,. these have even included
multidisciplinary studies of mummified remains which have
supplied new information about the process of mummification
itself, as well as disease, diet,
living
and working conditions and even family relationships. For
example, the use of scanning electron microscopes has been
used to identify insects that attack mummies, histology and
electron microscopy have supplied evidence about the success
or failure of individual mummification techniques, and thin
layer and gas liquid chromatography have isolated and
characterized the substances that were applied to the mummy
bandages.
There
have also been several techniques that have informed us of the
diseases in mummies. As early as the 1970s, radiography, which
is a nondestructive method, became a major investigative
procedure and later the additional use of computerized
tomography (CT) became standard in most radiological
investigations of mummies. There are also dental studies of
mummies that have provided evidence about age, diet, oral
health and disease. Paleohistology, which involves the
rehydration, fixing and selective staining of sections of
mummified tissue, together with paleopathology, which is the
study of disease in ancient people, have developed
considerably since the techniques were originally pioneered in
Cairo earlier in the twentieth century by M. A. Ruffer.
Today, endoscopy has almost completely replaced the need to
autopsy a mummy, since this technique allows the researcher to
gain firsthand evidence about embalming methods and to obtain
tissue samples for further study without destroying the mummy.
Histology, transmission electron microscopy (TEM),
immunohistochemistry and immunocytochemistry can then be used
to search for evidence of disease in the tissue samples.
Today, we also use DNA, rather than the older studies of
blood groups, to help identify individual family relationships
and future studies of this type may even help identify the
origins and migrations of ancient populations. DNA analysis
may also help identify bacterial, fungal, viral and parasitic
disease.
In the future, current studies on the process of
deterioration may also help curators and conservators in
preserving their mummy collections.
Egyptian Mummification
In
Egypt, a combination of climate and environment, as well as
the people's religious beliefs and practices, led first to
unintentional natural mummification and then to true
mummification. In Egypt, and particularly ancient Egypt, there
was a lack of cultivatable land and so the early Egyptians
chose to bury their dead in shallow pit-graves on the edges of
the desert, where the heat of the sun and the dryness of the
sand created the natural mummification process. Even this
natural process produced remarkably well preserved bodies.
Often, these early natural mummified bodies retained skin
tissue and hair, along with a likeness of the person's
appearance when alive.
Prior to about 3400 BC, all Egyptians were buried in pit
graves, whether rich or poor, royal or common. Later however,
as prosperity and the advance in building techniques improved,
more elaborate tombs for those of high social status were
constructed. Yet at the same time, these brick lined
underground burial chambers no longer provided the conditions
which led to natural mummification in the older pit graves.
Now however, mummification had been established in the
religious belief system so that the deceased's ka,
or spirit, could return to and recognize the body, reenter
it, and thus gain spiritual sustenance from the food
offerings. Hence, a method was sought to artificially preserve
the bodies of the highest classes. However, preservation of
the body was probably also required due to the longer period
that it took to actually inter the body, as grave goods and
even the tomb itself received final preparations.
What we sometimes called true mummification involves a
sophisticated process that was developed from experimentation.
The best example of this process is Egyptian mummification,
which involved the use of chemical and other agents. The
experimentation that led to true mummification probably lasted
several hundred years. Such efforts may have begun as early as
the 2nd Dynasty.
J.
E. Quibell, an Egyptologist who worked in some primitive
Egyptian necropolises, found a large mass of corroded linen
between the bandages and bones of a body interred in a
cemetery at Saqqara
that perhaps evidences an attempt to use natron
or another agent as a preservative by applying it to the
surface of the skin.
Another
early technique involved the covering of the body in fine
linen and then coating this with plaster to carefully preserve
the deceased's body shape and features, in particular the
head. In 1891, W.
M. Flinders Petrie discovered a body at Meidum dating to
the 5th Dynasty
in which there had been some attempt to preserve the body
tissue as well as to recreate the body form. Bandages were
carefully molded to reproduce the shape of the torso. Arms and
legs were separately wrapped and the breasts and genitals were
modeled in resin-soaked linen. Nevertheless, decomposition had
taken the body beneath the bandages, and only the skeleton
remained.
Only as early as the 4th
Dynasty do we actually find convincing evidence of
successful, true mummification. The mother of Khufu,
the king who built the Great
Pyramid at Giza,
also had a tomb at Giza. Though her body has not been found,
in her tomb was discovered preserved viscera which could
probably be attributed to this queen. An analysis of these
viscera packets proved that they had been treated with natron,
the agent that was successfully used in later times to
dehydrate the body tissue. Hence, this find demonstrates that
the two most important components of mummification,
evisceration of the body and dehydration of the tissues, was
already in use by royalty. Afterwards, mummification continued
to be practiced in Egypt for some three thousand years,
lasting until the end of the Christian
era.
As Egyptian history progressed, mummification became
available to people of the upper and even the middle classes.
During the Middle
Kingdom, the political and economic growth of the middle
classes and the increased importance of religious beliefs and
practices among all Egyptian social classes resulted in the
spread of mummification to new sections of the population.
More mummies have survived from that period than from the Old
Kingdom, but it is also evident that less care was taken
in their preparations. Mummification was actually most
widespread during the Greco-Roman
period. It was then that foreign immigrants who settled in
Egypt began to adopt Egyptian funerary beliefs and customs.
Mummification at that time became an increasingly prosperous
commercial venture, and it tended to indicate the decease's
social status rather than any religious conviction. This
resulted in a further decline in the quality of the
mummification process. At that time, bodies were elaborately
bandaged and encased in covers made of cartonnage (a mixture
of plaster and papyrus or linen). However, modern radiographic
analysis confirms that these bodies were frequently poorly
preserved inside their wrappings. Mummification was never
generally available to the common classes of people. Yet,
since they could not afford the sophisticated funerary
structures, they continued to be interred in simple desert
graves where their bodies were naturally preserved.
Today, the method of mummification used to preserve a body,
as well as the quality of the work, aids Egyptologists
in determining the social status of the deceased. Herodotus,
the Greek historian, tells us that there were three primary
types of mummification available which ancient clients chose
according to their ability to pay for these services.
The
most expensive processes included elaborate funerary rites as
well as a lengthy and complicated procedure to preserve the
body. This process involved a number of stages, though the two
most important steps continued to be the arresting of the
decomposition of the body through evisceration and
dehydration.
The internal organs, called viscera, were normally removed
from the thoracic and abdominal cavities through an abdominal
incision in the left flank. In some instances, the viscera
were not extracted at all, while in others they were removed
through the anus. This tissue was then dehydrated with natron,
and either placed in canopic
jars or made into four packages and reinserted into the
body cavities. Some were wrapped in one large packet that was
placed on the legs of the mummy. Interestingly, the heart was
considered to be the organ associated with the individual's intelligence
and life force and was therefore retained in place, while the
brain was removed and discarded.
After removal of the internal organs, the body cavities
were washed out with spiced palm wine and then filled with a
mixture of dry natron (a type of salt) gum resin and vegetable
matter. Afterwards, the corpse was left to dehydrate,
apparently in a bath of natron, for a period of up to seventy
days. However, experimentation has proven that forty days is
sufficient for the dehydration process, and he seventy days
that Herodotus
spoke of may have actually represented the period of time
between the individual's death and his burial. natron,
believed to be the main ingredient used to pack the body, was
found in a dry desert valley called the Wadi
Natrun, now famous for its monasteries.
It is composed of sodium carbonate and sodium bicarbonate and
includes some natural impurities. Originally, there was some
discussion in Egyptology circles concerning the use of natron,
actual salt (sodium chloride), or lime (calcium carbonate) as
the main dehydration agent in Egyptian mummification. There
was also a question of whether the natron was used in a
solution such as water, or in a solid state. However,
Assessment of the Greek texts that describes the process,
together with modern experiments on mummification has led us
to believe that dry natron provides the most satisfactory
results and was probably used exclusively.
After the body was completely dehydrated, the temporary
stuffing that was used to fill the body was removed from its
cavities and replaced with the permanent stuffing and
sometimes also with the viscera packages. Next the abdominal
incision was closed, the nostrils were plugged with resin or
wax, and the body was anointed with a variety of oils and gum
resins, which may have also played some part in preventing or
delaying insect attack and in masking the odors of
decomposition that would have accompanied the mummification
process. However, all of these later stages were essentially
cosmetic and had little effect in preserving the
tissues.
After the basic mummification process was completed, the embalmers
then wrapped the mummy in layers of linen bandages, between
which they inserted protected amulets
to guard the deceased from evil and danger. A decomposing body
will soon begin to swell and loose its recognizable human
form. This swelling will effect all of the body, but is
particularly apparent in the abdomen, where gasses being
produced by bacteria inflate the intestines. Removal of the
internal organs of course aids in preventing this process.
However, bandaging of the body also prevents or at least
restricts such swelling, as well as excluding air from direct
contact with the corpse, thus slowing deterioration. Bandaging
would also prevent the formation of blisters on the skin,
caused by fluid within the body, which appear in the first
stages of decomposition.
Next, a liquid or semi-liquid resinous substance was then
poured over the mummy and coffin.
The mummy and coffin were then returned to the family of the
deceased for the funeral
and burial.
The two less expensive forms of mummification that Herodotus
mentions did not involve the complete evisceration of the
body. In a second method, which was also used for animal
mummification, oil of cedar was injected into the anus, which
was then plugged to prevent the liquid from escaping. The body
was afterwards treated with natron.
Next, the oil was drained off and the intestines and the
stomach, which became liquefied by the natron, came away with
the oil. All that remained was actually the skin and the
skeleton. The body was returned to the family in this state
for burial. However, this was even superior to the cheapest
method, where the body was purged so that the intestines came
away. Afterwards, the body was treated with natron.
Over
the long history of ancient Egyptian mummification, there were
only two major additions to the basic procedure. From as early
as the Middle
Kingdom, the brain was removed in some mummies and by the New
Kingdom, this procedure of excerebration had become
widespread. This process involved the insertion of a metal
hook by the embalmer into the cranial cavity through the
nostril and ethmoid bone, and the brain was pulverized to
fragments so that it could be removed with a spatula type
instrument. However, at times, access was gained to the
cranial cavity either through the base of the skull or an eye
socket. Obviously, it would have been impossible to remove
every small fragment of the brain through any of these
methods. Before the mummification was complete, the emptied
cranial cavity was packed with strips of linen that had been
impregnated with resin, though at other times molten resin was
poured into the skull.
The second innovation in mummification was probably not
introduced until as late as the 21st
Dynasty. Then the embalmers sought to develop a technique
that originally had been used during the 18th
Dynasty mummification of King
Amenhotep III. His embalmers had attempted to recreate the
plumpness of the king's appearance by introducing packing
under the skin of his mummy though incisions made in his legs,
neck and arms. The priests
of the 21st Dynasty began to use this subcutaneous packing for
anyone who could afford such an expensive technique. Now, the
body cavities were packed through a flank incision with
sawdust, butter, linen and mud, and the four individually
wrapped packages of viscera were also inserted into these
cavities, rather than being placed in canopic
jars.
Subcutaneous material was also inserted through mall
incisions into the skin, the neck and the face was packed
through the mouth. Hence, the embalmers attempted to retain
the original body contours at least to some extent in order to
give the mummy a more lifelike appearance. In fact, artificial
eyes were often placed in the eye sockets and the skin was
sometimes painted with red ocher (for men) or yellow ocher
(for women). False plaits and curls were even woven into the
natural hair. However, these very expensive and time consuming
processes were not retained beyond the 23rd
Dynasty.
The Rituals and Accessories of Mummification
Mummification was attended to in the embalmer's workshop,
known as wbt (place of purification). There may have been some
such workshops erected near specific tombs, but because
mummification had an "impure" nature and was
considered to be associated with certain dangers, most
workshops would have been situated outside the actual tomb
enclosure. Most workshops, and particularly those that dealt
with many bodies, were located somewhat close to the
necropolises or temples.
There were actually a number of different rites associated
with the mummification process. Some of these were performed
in the embalmer's workshop, though the most important of
these, known as the Opening
of the Mouth ceremony, was normally carried out at the
tomb itself. Yet, there were many other less important rituals
that were probably performed throughout the seventy days that Herodotus
and others tell us were required for the mummification
process. One question Egyptologists
have not specifically answered is whether the rituals, which
themselves were long and extensive, caused the need for the
lengthy embalming process, or instead whether the rituals were
extended because of the time required for mummification.
The embalmers and priests
used a variety of tools and accessories in the mummification
process and its associated rites. In the actual preparation of
the body, the embalmers and their assistants employed a blade
of obsidian, sometimes called a "stone of Ethiopia",
to make the incision in the side of the mummy. They also used
a hooked tool for brain extraction, as noted above, together
with various containment vessels which held the plant remains
and resin used to anoint the mummy.
Of course, there were amulets
placed between the layers of bandages and a cartoonage mask
was placed on the face. There were also chest and foot covers
placed over the mummy to supply support, and even toe and
finger stalls were sometimes utilized to prevent damage to
those appendages.
The Embalmers and Others Associated with the
Mummification Process
In the mature practice of mummification, there were three
distinct groups of practitioners. They included the cutter who
made the incision in the flank of the mummy, the scribe who
supervised this work and the embalmer himself, who belonged to
a special guild or organization and was responsible for
leading the mummification ceremonies and for wrapping the
mummy in bandages. The latter actually supervised all of the
stages of the mummification process and wore a jackal-headed
mask to impersonate Anubis,
the god of embalming, as he performed the rituals.
The embalmers were actually a special class of priest
and were considered to be highly skilled professionals,
probably with close ties with the medical doctors. Their
office was hereditary. Under their charge might be others,
including those who made coffins
and wooden
funerary figures, as well as other
items for the tomb.
On the other hand, the cutters had one of the lowest
statuses in society, because of the ritual
"impurity" associated with the incision in the
corpse and the removing of the viscera. They also obviously
faced certain health risks. This class of individual in the
mummification process may have even included
criminals.
Others included in the mummification procedure and the
funeral included priests of Osiris,
who performed the rituals, lector priests, who recited the
chants and the ritual instructions and the men who washed and
cleansed the mummy and the viscera, prepared the natron
and resin, and actually wrapped the body with layers of linen
bandages. The whole process associated with death became a
major industry that employed many workers including mourners
and even dancers.
See also:
References:
| Title |
Author |
Date |
Publisher |
Reference Number |
|
Ancient Egyptian Books of the Afterlife, The |
Hornung, Erik |
1999 |
Cornell University Press |
ISBN 0-8014-3515-3 |
|
Ancient Gods Speak, The: A Guide to Egyptian Religion |
Redford, Donald B. |
2002 |
Oxford University Press |
ISBN 0-19-515401-0 |
|
Dictionary of Ancient Egypt, The |
Shaw, Ian; Nicholson, Paul |
1995 |
Harry N. Abrams, Inc., Publishers |
ISBN 0-8109-3225-3 |
|
Egyptian Religion |
Morenz, Siegfried |
1973 |
Cornell University Press |
ISBN 0-8014-8029-9 |
|
Life of the Ancient Egyptians |
Strouhal, Eugen |
1992 |
University of Oklahoma Press |
ISBN 0-8061-2475-x |
|
Mummies Myth and Magic |
El Mahdy, Christine |
1989 |
Thames and Hudson Ltd |
ISBN 0-500-27579-3 |
|
Mummy, The (A Handbook of Egyptian Funerary Archaeology) |
Budge, E. A. Wallis |
1989 |
Dover Publications, Inc. |
ISBN 0-486-25928-5 |
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