  
Mut
(Maut) was the mother goddess, the queen of the gods at Waset
(Thebes),
arising in power with the god Amen. She came to represent the
Eye of Ra, the ferocious goddess of retribution and daughter
of the sun god Ra. Originally a local goddess, probably from
the delta area, she became a national goddess during the New
Kingdom and was adored at one of the most popular festivals at
the time - the Festival of Mut.
She was either depicted as a woman, sometimes with wings,
or a vulture, usually wearing the crowns of royalty - she was
often shown wearing the double crown of Egypt or the vulture
headdress of the New Kingdom queens. Later she was shown as
woman with the head of a lioness,
as a cow or as a cobra as she took on the attributes of the
other Egyptian goddesses. The ancient Egyptian link between
vultures and motherhood lead to her name being the ancient
Egyptian word for mother - mwt  
In Southern Africa, the name for
an Egyptian vulture is synonymous with the term applied to
lovers, for vultures like pigeons are always seen in pairs.
Thus mother and child remain closely bonded together. Pairing,
bonding, protecting, loving are essential attributes
associated with a vulture. Because of its immense size and
power and its ability to sore high up in the sky, the vulture
is considered to be nearer to God who is believed to reside
above the sky. Thus the qualities of a vulture are associated
with Godliness. On the other hand the wide wingspan of a
vulture may be seen as all encompassing and providing a
protective cover to its infants. The vulture when carrying out
its role as a mother and giving protection to its infants may
exhibit a forceful nature whilst defending her young. All
these qualities inspired the imagination of the Ancient
Egyptians. They adopted what seemed to them at the time to be
motherly qualities, the qualities of protecting and nurturing
their young.
-- Ma-Wetu, The Kiswahili-Bantu
Research Unit for the Advancement of the Ancient Egyptian
Language
Mut
took over the position of the original wife of Amen - Amaunet,
the invisible goddess - during the Middle Kingdom and rose to
power when the New Kingdom rulers took up the worship of Amen.
The pharaohs moved to Waset, making it their capital, and so
the worship of the local Waset gods spread throughout the
land. As Amen became the god of the pharaohs, Mut became their
symbolic mother and was identified with the queens. Their
adopted son was Khonsu,
the moon god, and the three were worshiped as a triad at Waset
and at the Temple
of Amen at Ipet-Resyt (Luxor).
Originally their adopted son was Montu, the god of war, but he
was dropped in favor of the moon god, possibly because the
shape of Mut's sacred lake was in the shape of a crescent
moon.
During the Festival of Mut in Waset, a statue of the
goddess was placed on a boat and sailed around the small
crescent shaped sacred lake at her temple at Ipet-Isut (Karnak).
In a yearly matrimonial ceremony during the New Year festival,
Amen traveled from his temple at Ipet-Resyt down to Ipet-Isut
to visit her. Originally this was for the fertility goddess
Ipet (Taweret),
as a way of ensuring fertility for the coming year.
Unas hath had union with the
goddess Mut, Unas
hath drawn unto himself the flame of Isis,
Unas hath united himself to the blue
water lily...
-- Pyramid Text of Unas
There was also a composite deity called "Mut-Isis-Nekhbet,
the Great Mother and Lady" who was shown as a winged
goddess with leonine feet, an erect penis and three heads - a
lion head wearing Min's
headdress, a woman's head wearing the double
crown of Egypt and a vulture's head wearing the red crown
of Lower Egypt.
In The
Book of the Dead, a spell was spoken over a statue of
her. The statue had her with three heads - one of the heads
was that of a lioness wearing a headdress of two tall plumes,
a human head wearing the double crown, and the third being the
head of a vulture, again wearing the headdress of two plumes -
as well as wings, an erect penis and the paws of a lion. This
spell was to protect the dead from being disturbed, and it
linked her to Bast,
Sekhmet
and the sun. In this form she was called both Mut, but
addressed as Sekhmet-Bast-Ra.
When she started to take over the positions of other
goddesses, her name was linked to the older goddess' - such as
Mut-Temt, Mut-Wadjet-Bast
and Mut-Sekhmet-Bast-Menhit.
She also started to take on the aspects and attributes of Isis,
such as Mut's form of Mut-Isis-Nekhbet.
She seems to have also taken the attributes of even the sky
goddess Nut,
mother of the five deities - Osiris,
Horus the Elder, Set,
Isis
and Nephthys.
I have given unto thee the
sovereignty of the father Geb,
and the goddess Mut, thy mother, who gave birth to the gods,
brought thee forth as the first-born of five gods, and created
thy beauties and fashioned thy members.
-- The
Book of the Dead
When Amen was assimilated with Ra, becoming Amen-Ra, Mut
took on the title the Eye of Ra, a form associated with Hathor
and Sekhmet,
among others. The Eye was usually shown as a lioness,
representing the fierce heat of the sun, and so Mut was given
the form of a lion headed woman. She was then thought to be
the daughter of Ra, yet she was also "Mother of the Sun
in Whom He Rises" - she was thought to be the mother of
mothers, and thus could be both the mother and daughter of the
sun god.

Image © The Brooklyn Museum of Art
The 'Mistress of Isheru' (the sacred lake around her
temple) had a large temple mostly built by Amenhotep
III. The earliest parts of the temple, though, were built
by pharaohs Hatshepsut
and Thothmose
III. Later rulers such as Rameses
II, Rameses
III and King
Taharqa of the Kushite 25th
Dynasty added to the Mut Precinct, expanding the precinct
and rebuilding the temple. (Rameses II's wife, Nefertari,
was called Nefertari Merytnmut - 'Nefertari, Beloved of Mut'.)
The temple of Mut continued to prosper during the Ptolemaic
period, right through to the conquest of Egypt by Rome in
about 30 BC. By the late Roman
period, the temple of Mut was no longer in use, and
started to fall into disrepair.
The temple, Hut-Mut hwt-mwt     ,
was situated to the south of the great temple of Amen-Ra, with
an avenue of sphinxes approaching her temple. She was
worshiped there as "Mut, the Great Lady of Isheru, the
Lady of Heaven, the Queen of the Gods". Mut was believed
to have existed since primeval times, existing along side Nun,
the primeval waters. This was probably due to her replacement
of Amaunet, one of the primeval Ogdoad - the great eight - who
lived in the waters. In her temple she was depicted in the
form black basalt statues, showing Mut as the Eye of Ra, Sekhmet.
The precinct of Mut lies about 100
yards south of the precinct of Amen to which it is oriented,
and covers an area of about twenty acres. The focal point of
the complex is the temple of Mut itself, surrounded on three
sides by a lake called the Isheru, a term used to describe
sacred lakes specific to precincts of goddesses who can be
leonine in form. The Mut Precinct's Isheru, fed probably by an
underground spring, is the largest in Egypt that is preserved.
... The Mut expedition also
uncovered a gate in an early western enclosure wall that bares
traces of a possible graffito of Senmut, an important official
under Hatshepsut,
and the cartouches of Thothmose
III (perhaps replacing Hatshepsut's
cartouche), an Amarna
period effacement of the name of Amen, and an inscription
by Seti
I recording the restoration of the gate.
Despite the evidence of early 18th
Dynasty activity at the site, many publications continue
to identify the Mut temple as a work of Amenhotep III,
primarily because of the many statues of the goddess Sekhmet
found at the site that bear his name. However, it is now
thought that the Sekhmet
statues bearing the king's name were originally erected in his
funerary temple on the west bank of the Nile. They were
probably brought to the Mut Precinct during 19th
Dynasty when Mut and Sekhmet
became more closely associated and rituals involving both with
the Isheru first appear to have gained prominence.
-- The Precinct of The Goddess
Mut, The Brooklyn Museum of Art
She was also worshiped in Djannet (Tanis),
Zau (Sau, Sai, Sais), the Oases of Kharga
and Dakhla. Her
followers believed her as the great mother, the one who
created and brought forth everything that existed. This was
probably why she was sometimes depicted with male parts - she
was not just one who gave birth to life, she was one who
conceived life itself. She was "Mut, Who Giveth Birth,
But Was Herself Not Born of Any". Another reason why Mut
may have been seen as being able to have conceived by herself
was the ancient Egyptian believe that there were no male
griffon vultures (the vulture of the Egyptian goddesses
and royalty). (This vulture (Gyps fulvus) has no
significant markings between the female and the male of the
species.) They believed that this bird conceived with the
wind.
The great mother goddess of the New Kingdom, Mut replaced
or assimilated many of the Egyptian goddesses. She became a
great, all-in-one goddess of the capital city, and her
popularity spread. Although possibly a local goddess from the
delta, she was married to Amen, replacing his original wife.
She came to represent the mother of the pharaoh, the royal
crown being her symbol, and firmly established her place with
the rulers of Thebes. From there, she became one of Egypt's
great goddesses, worshiped through the land from the New
Kingdom well into Roman times. Both male and female, her
followers believed her to be the one who created and gave
birth to all.
Archives
|