Recently,
controversy has swirled around the DaVinci Code, a book by Dan
Brown. This of course is a fictional book, though its author
makes a number of claims about the authenticity of facts upon
which it is based. Central to the plot in this book are the
Nag Hammadi Gnostic Gospels which originated in Egypt.
In order to deliver on his conspiratorial plot, Brown has to lay the groundwork by having his main characters deny the inspiration and authority of the biblical text and replace Matthew, Mark, Luke, and John with the
Gnostic gospels found just after World War II at Nag Hammadi. The
Gnostic texts are called the "unaltered gospels," and the New Testament texts are dismissed as propaganda for the goddess-bashers.
About the dating of the manuscripts themselves there is little debate. Examination of the datable papyrus used to thicken the leather bindings, and of the Coptic script, place them c. A.D. 350-400.
However, it is believed that they are copies of earlier texts
written in Greek, though scholars sharply disagree about the dating of the original texts. Some of them can hardly be later than c. A.D. 120-150, since Irenaeus, the orthodox Bishop of Lyons, writing C. 180, declares that heretics "boast that they possess more gospels than there really
are.''
The Gnostic texts of Nag Hammadi number fifty-two
comprising 1240 pages, and make up a fairly complete Gnostic
library
Certainly the Nag Hammadi documents are important
historical texts. What they do reveal is the diversity of the
early church in the Holy Land, during the formative years of
Christianity. It should come as no surprise that such ancient
volumes have been found in Egypt either. As the home of
monasticism, Egypt contained a proliferation of early
monasteries, frequently located in the dry desert, which
made perfect repositories for large Christian libraries. In
fact, the Codex Syniaticur which was used as a basis for the
English translation of most modern bibles was discovered in
the Monastery
of St. Catherine in the Sinai, though after a roundabout
journey through Russia is now in the British Museum. However,
today St. Catherines maintains an enormous collection of
ancient and important Christian texts, but this is not the
only important monastic library in Egypt. A number of other
Egyptian monasteries also house considerable
collections.
Of
course, the Nag Hammadi documents were not found in a
monastery library in 1945, but rather buried in clay jars in
the region of Nag Hammadi about three kilometers from the
village of al-Qasr. There discovery was one of the major
archaeological finds of the twentieth century. Thirty years
after their discovery, the Egyptian who found them, Muhammad
Ali al-Sammán, told of their discovery.
One day, Muhammad Ali and his brothers went out to dig for sabakh, a soft soil they used to fertilize their crops. Digging around a massive boulder, they hit a red earthenware jar, almost a meter
high, sealed with bitumen. Muhammad Ali hesitated to break the jar, considering that a jinn, or spirit, might live inside. But realizing that it might also contain gold, he raised his
tool, smashed the jar, and discovered inside thirteen papyrus books, bound in leather. Returning to his home in al-Qasr, Muhammad
Ali dumped the books and loose papyrus leaves on the straw piled on the ground next to the oven. Muhammad's mother, 'Umm-Ahmad, admits that she burned much of the papyrus in the oven along with the straw she used to kindle the fire.
Sometime before the discovery, Muhammad Ali's father had been
murdered in a blood feud. A few weeks later, as Muhammad Ali tells it, he and his brothers avenged their father's death by murdering Ahmed
Isma'il, his father's killer. Fearing that the police investigating the murder would search his house and discover the books, Muhammad
Ali asked a local priest named al-Qummus Basiliyus Abd al-Masih
to keep the books for him. However, during the time that Muhammad
Ali and his brothers were being interrogated for murder,
apparently the priest told a local history teacher named
Raghib about the documents. The teacher thought that they
might have considerable value, and was allowed by the priest
to send one to a friend in Cairo to find out its worth.
Obviously, their worth was great, and so they were soon
placed on the black market through antiquities dealers in Cairo.
However, the manuscripts soon attracted the attention of officials of the Egyptian government. Through circumstances of high
drama they bought one and confiscated ten and a half of the thirteen leather-bound books, called codices, and deposited them in the
Coptic Museum in Cairo. But a large part of the thirteenth codex, containing five extraordinary texts, was smuggled out of Egypt and offered for sale in
the United States. Word of this codex soon reached Professor Gilles Quispel, distinguished historian of religion at Utrecht, in the Netherlands. Excited by the discovery, Quispel urged the Jung Foundation in Zurich to buy the codex. But discovering, when he succeeded, that some pages were missing, he flew to Egypt in the spring of 1955 to try to find them in the Coptic Museum.
Arriving in Cairo, he went at once to the
Coptic Museum, borrowed photographs of some of the texts, and hurried back to his hotel to decipher them. Tracing out the first line, Quispel was startled, then incredulous, to read: "These are the secret words which the living Jesus spoke, and which the twin, Judas Thomas, wrote down." Quispel knew that his colleague H.C. Puech, using notes from another French scholar, Jean Doresse, had identified the opening lines with fragments of a Greek Gospel of Thomas discovered in the 1890's. But the discovery of the whole text raised new questions: Did Jesus have a twin brother, as this text implies? Could the text be an authentic record of Jesus' sayings? According to its title, it contained the Gospel According to Thomas; yet, unlike the gospels of the New Testament, this text identified itself as a secret gospel.
Actually, secret gospels seems to be a large point of
Gnostic spirituality. Really, the new religion of Christianity
was difficult for the Gentile world to assimilate in many
ways. Sophisticated pagans were accustomed to reinterpreting
the myths of their gods allegorically, and it was only natural
for them to treat the story of Christ in a similar manner,
which produced the phenomenon of Gnosticism. Gnosticism
basically made a claim to disclose secret revelations that
were in fact a mixture of myths and rites drawn from a variety
of religious traditions.
It was a theology made from many ingredients. Occultism and
oriental mysticism became fused with astrology, magic,
cabbalistic elements from the Jewish tradition, a pessimistic
reading of Plato's doctrine that man's true home does not lie
in this bodily realm, and above all the catalyst of the
Christian understanding of the redemption in Christ.
Most of the Gnostic sects claimed to be Christian and to
have secret knowledge of the traditions that Jesus had taught
the apostles in private. They collected the sayings of Jesus,
but shaped them to fit their own interpretations, thus
offering their adherents an alternative or rival from Christianity.
The Gnostic movement was born and developed from a
disenchanted vision of the world and of the Christian event
itself. Pain, suffering, disease and death, together with the
victorious presence of evil prove, the Gnostics thought, the
intrinsically negative character of the world and therefore
the "non-perfection" of the creator of the world,
the demiurge, an evil being cast by its own fault or by
ignorance into the emptiness outside divine plenitude.
However, beyond and above the demiurge, they saw a God who was
perfect and merciful and it was he who sent the Savior to
reveal God's own existence to the ignorant world.
Unfortunately, they also thought that the revelation of
Christ was reserved for those who still have within themselves
a spark of the divine spirit, who alone have the ability to
understand his real message. For these people the
"knowledge" was a guarantee of salvation, but not
everyone was privileged to have it. Indeed, not all human
beings were considered complete. Most of them were only bodies
devoid of souls, destined to die without leaving a
trace.
There is really little wonder that these books were not
chosen to become a part of the New Testament, or that the
Gnostic sects enjoyed a popular front in Egypt. In many ways,
the theology was an extension of the more ancient Egyptian
religion, where common people were not allowed into the inner
sanctuaries of churches nor were they privy to the inner
workings and the magical rituals of their own religion.
As for the New Testament, the Gnostic texts of Nag Hammadi
were not included and never even a contender to be included.
About 130 AD Papia of Hierapolis in Asia Minor recorded
traditions about the authorship of the gospels of Matthew and
Mark, but was also convinced that the mind of Jesus was
captured less from written books than from oral teaching of
those seniors who had known apostles personally. At that time,
the New Testament gospels were mostly transmitted
orally.
Nevertheless, a New Testament canon was needed in order to
fix these traditions against future adulterations. At the same
time, to set a New Testament canon beside the Old carried
implications of the concept of "inspiration", and
there were certain formulas in pre-Christianity that set out
the theories of inspiration. One of these was the view that
inspiration was a type of possession, where the divine took
over the voice of the prophet and employed the human agent as
a musician plays a lyre, which has no mind of its own. Hence,
this view implies that the words are divinely given, so any
other texts can be interpreted by its similarities.
As early as the second century, this view of inspiration
took hold in the Christian community. The fathers of the
church knew the earliest compositions of the apostles, who
must have been divinely inspired, and they applied their view
of inspiration to other works. This implied that all
Christians rightly believing are agreed, and that the
cacophony of dissension is a characteristic of either heretics
or of pagan philosophers.
Though the original compositions from which the Nag Hammadi
documents were copied may date from a fairly early period,
even perhaps just after those of the apostles (some even say
before, but this is highly doubtful), their departure from
those works could obviously never be accepted by the founding
fathers of the church In many instances, they completely
oppose the words of the apostles, and hence could not have
come from the same divine source. Furthermore, the very nature
of Gnosticism, of such secret knowledge, precluded it from
their faith. Jesus, after all, came to spread the word, and
obviously did so to more than a selected few chosen
people.
Hence, the Gnostic texts were considered heresy by the
Orthodox church, and this probably explains the context in
which they were discovered. A letter condemning such work was
circulated amongst all of the monasteries in Egypt around the
year 367 AD. In the cities, the campaigns against heretics
were intensifying, promoted by the Orthodox bishops and their
followers, and it was forbidden even to possess books other
than those declared "orthodox". It is in this
climate of tension and upheaval that the manuscripts were
hidden by their unknown owners. One should not rule out the
reasonable hypothesis that the owners were in fact monks from
one of the many Pachomian monasteries of the region, perhaps
that of Chenoboskion, which was only three kilometers way from
the place chosen to hide the manuscripts.
While this discussion does not encompass the rather large
volume of work in the Nag Hammadi collection, which includes
some non-Gnostic works as well, it is available
on-line.
See also:
Resources:
| Title |
Author |
Date |
Publisher |
Reference Number |
|
2000 Years of Coptic Christianity |
Meinardus, Otto F. A. |
1999 |
American University in Cairo Press, The |
ISBN 977 424 5113 |
|
Christian Egypt: Coptic Art and Monuments Through Two Millennia |
Capuani, Massimo |
1999 |
Liturgical Press, The |
ISBN 0-8146-2406-5 |
|
Coptic Monasteries: Egypt's Monastic Art and Architecture |
Gabra, Gawdat |
2002 |
American University in Cairo Press, The |
ISBN 977 424 691 8 |
|
Christianizing the Roman Empire A.D. 100-400 |
MacMullen, Ramsay |
1984 |
Yale University Press |
ISBN 0-300-03642-6 |
|
Coptic Saints and Pilgrimages |
Meinardus, Otto F. A. |
2002 |
American University in Cairo Press, The |
ISBN 977 424 692 6 |
|
Monastery of St. Catherine, The |
Papaioannou, Dr. Evangelos |
Undated |
Unknown |
None Stated |
|
Oxford Illustrated History of Christianity, The |
McManners, John |
1992 |
Oxford University Press |
ISBN 0-19-285259-0 |
|
St. Catherine's Monastery |
Paliouras, Athanasios |
1985 |
St. Catherine's Monastery at Sinai |
None Stated |
Archives
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