During the Early Dynastic period, the king of ancient Egypt already had much
of the trappings of royal regalia familiar from later times, including the
double crowns of Upper and Lower Egypt and various scepters.
The crowns, scepters and other elements offered and represented power and
protection. They also set the king apart from everyone else and conveyed his
authority, both secular and religious.
A scepter or staff is one of the most ancient symbols of authority. The
hieroglyph for "nobleman" or "official" shows a man
carrying a long staff of office in front of him. A grave found at the
Predynastic site of el-Omari in Lower Egypt contained the skeleton of a man
buried with a wooden staff, and a fragmentary wooden staff, carved to
resemble a bundle of reeds, was found in an early First Dynasty mastaba at
Saqqara.
An actual example of a royal scepter, purely ceremonial in purpose, was
discovered by Flinders Petrie in one of the chambers of Khasekhemwy’s tomb
at Abydos. The scepter was fashioned from polished sard and thick gold
bands, all held together by a copper rod.
A variant of this long staff was the mks staff, as shown on the
relief panel from beneath the Step Pyramid. Netjerikhet Djoser is shown
holding a mks-staff. Originally a defensive weapon, this staff
eventually took on a ceremonial, perhaps even a priestly, purpose.
The Heqa scepter, or crook, is often seen held by the king.
The crook symbolized the very concept of rule and was even employed as the
hieroglyph for the word "rule" or "ruler." The crook was
a cane with a hooked handle, sometimes gold-plated and reinforced with blue
copper bands. The earliest example of a crook or heqa scepter comes
from Abydos and the tomb listed as U-547, dated to the late Naqada II
period. This scepter, made of limestone, was found fragmented, but a
complete scepter made of ivory was found in another Abydos grave, the one
listed as tomb U-j. This is the largest tomb of Abydos found to date. The
earliest representation of a king carrying the crook is a small statue of
Ninetjer from the 2nd Dynasty. Later on, the king held the crook
across his chest together with the flail.
The was-scepter is another early part of the royal regalia,
symbolizing dominion, more in the divine sphere than in the earthly realm.
This scepter consisted of a straight shaft with its handle in the shape of a
canine head, and the base ending in two prongs. A was-scepter was
also excavated at Abydos, so its origins may date to the Predynastic period.
Its earliest representation again dates to the First Dynasty, where an ivory
comb of King Djet shows two such scepters supporting the vault of heaven,
symbolized by the outspread wings of the celestial falcon. As a symbol of
power, the scepter was held by deities as well as by the king, as shown in
the example of Seti I offering to Osiris, where Osiris and Horus are shown
carrying the scepter.
The
flail became the companion to the crook later on in the royal regalia,
most familiar from the funerary representation of Tutankhamun or the
celluloid versions of Cleopatra, but the two were not always connected. The
flail appears alone on some of the earliest representations of royal
ceremonial, as shown in the example from a label of King Den in the First
Dynasty, sitting under a canopy or in some ritual structure, waiting to run
the Sed-festival.
The bull’s tail appears worn by the king on the Narmer palette and
on the Scorpion macehead, so its origins as a symbol of royal power, the
king imbued with the powers of nature, began in the Predynastic period.
Later on, the bull’s tail was done away with, but the king retained the
concept of the strength and force of the bull itself by taking on titles
such as "Strong Bull," or "Mighty Bull."
The
uraeus remained a symbol of the king throughout Dynastic history. It was
the rearing cobra worn on the king’s brow, and probably dates to the reign
of King Den, where he is depicted striking an enemy. The uraeus also appears
on the funerary likeness of King Tut and on later kings as well. The cobra
represented the "Eye of Ra," placed upon the brow of the king to
protect him against his enemies.
The king wore many different crowns and headdresses during Dynastic
history. The most familiar are the red crown, the white crown, and the
double crown made up of both red and white crowns.
The red crown, or deshret, may very well have originated in
Upper Egypt, although it eventually became associated as the symbol of Lower
Egypt. A sherd from a large vessel dated to late Naqada I, near the town of
Nubt, the city of Set, has a representation in relief of the red crown, and
on both the Narmer palette (one side) and macehead the king’s figure is
shown wearing the red crown.
The white crown, or hedjet, was always associated with Upper
Egypt. On the opposite side of the Narmer Palette, the king now wears the
white crown.
The double crown, or pschent, symbolized the king’s rule of
both Upper and Lower Egypt, that is, he ruled the Two Lands as one. One
early example is on a relief of King Sneferu in the 4th Dynasty.
The king did not always wear the double crown. Often he is depicted wearing
just the white crown, especially at this early date. The triads of King
Menkaure are early examples of the solitary wearing of the white crown.
The
atef crown was worn for certain religious rituals. It was basically the
white crown with a plume on either side and a small disc at the top.
The blue crown became known as the war crown, primarily because
Ramesses II the Great was always shown wearing it in the reliefs of his
battle scenes. It was made of cloth adorned with golden discs.
The
most familiar headdress of the king other than a crown was the nemes
headdress. The Sphinx wears this headdress, though the earliest example is a
seated statue of Netjerikhet Djoser from his serdab in the Step Pyramid
complex.
See Also:
The
Crowns of Ancient Egypt, Part I
The Crowns of
Ancient Egypt, Part II
Sources:
- Early Dynastic Egypt by Toby Wilkinson
- Oxford Encyclopedia of Ancient Egypt
- Complete Tutankhamun by Nicholas Reeves
- Dictionary of Ancient Egypt by Ian Shaw and Paul Nicholson
- In the Shadow of the Pyramids by Jaromir Malek
Marie Parsons is an ardent student of Egyptian archaeology, ancient
history and its religion. To learn about the earliest civilization is to
learn about ourselves. Marie welcomes comments to marieparsons@prodigy.net.