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He may rule the box office, but he is not the ancient
ruler of Egypt.
He
is "The Scorpion King." Accept him for what he is-a
sword-fighting, bow-wielding, knuckle-busting fighter. WWF
wrestler Dwayne "The Rock" Johnson, the star of the
Scorpion King, will make action adventure fans cheer, but for
those intrigued with the film's predecessor's, "The
Mummy" and "The Mummy Returns", this is a weak
link to the world of ancient Kemet. Where the Mummy
blockbusters at least maintained an Egyptian motif, "The
Scorpion King" has spun-off into a world of it's
own-a land of mixed-up myth and lubricious legend.
The story line is simple, direct and born to serve the
action. And, the action is non-stop, frenetic and dramatic.
Director Chuck Russell ("The Mask") acknowledges
that he is a tremendous fan of "The Adventures of Robin
Hood" and the swashbuckling classics of another Hollywood
age, and it shows. The basic idea is: avenge, defend and the
best revenge.
As
the film begins, Mathayus ("The Rock") one of the
last of nearly extinct race, the Akkadians, agrees to get rid
of a sorcerer-the power behind the cruel leader Memnon's
(Steven Brand) throne. He finds that the sorcerer is beautiful
(Kelly Hu) and, his brother is slaughtered before his eyes.
The last words of the dying brother: "Live free . .
." A distraught Mathayus answers: ". . . Die
well." And, then the game is afoot, or rather ablaze,
full-screen, full-blast and full of fights.
The best way to enjoy "The Scorpion King" is to
approach it as a grand dance. The film is a well-lit,
handsomely cast, seamlessly choreographed battle. And,
"The Rock" is center stage. "The Rock" is
charismatic as the assassin turned avenger. Despite his size,
the muscular actor gracefully executes eye-popping stunts and,
just as easily, melts into a cunning, toothy grin.
Kelly
Hu displays her stunning figure to full effect as she utilizes
her considerable martial arts training-she has a black belt-to
join some of the skirmishes. Hu is "The Rock's"
leading lady, but it isn't the limited love scenes that drive
this movie.
The hard-won camaraderie between Mathayus' ("The
Rock") character and that of actor Michael Clarke Dunne
is delicious to watch. Though the two don't get near enough
time for on-screen dialogue, they are quite an awesome pair
when confronting the forces of Memnon. Actor Steven Brand
brings a brash, nastiness to the role of the archvillain,
Memnon, that adds just the right edge to the back-and-forth,
hit-and-run blood battles that ensue.
The
film is beautifully photographed by cinematographer John
Leonetti and every battle is underscored by a rousing rock
theme. The makeup hair and costuming, much like the
grand-scale set designs draw viewers into the ancient
world-inspired fantasy. But, Egypt is barely a whisper in the
design and direction of the film.
Unlike "The Mummy" movies, which were shot on
locations in Morocco, this film was shot entirely on Universal
Studios backlots and on desert locations in southern
California, far from Egypt.
So, you want to fight? Or rather, want to watch a string of
great fights that utilize bows and arrows, daggers,
swords?--then, front-row center at the "The Scorpion
King" is the place to be.
The Real Scorpion King
It’s premiere is timed to take full advantage of the
release of "The Scorpion King," the History Channel’s
"The Real Scorpion King" endeavors to sort out the
historical source for the name, King Scorpion.
The film, produced and directed by Gary Glassman and
narrated by actor Edward Hermann, begins: "Egypt:
birthplace of civilization--land of mummies, pyramids,
animal-headed gods. Scholars thought they knew how it all
began, but they are wrong. "
What follows is an intelligent exploration of the ancient
monuments, current excavation sites and archaeological
artifacts, mixed with commentary, observations and theories of
well-known Egyptologists that draws a likely picture of the
real King Scorpion and his historical significance in
predynastic Egypt.
"The Real Scorpion King" superior to the many
documentaries on ancient Egypt that depend so heavily on
luscious photography of the ancient monuments of Egypt. The
film examines the historical record and actively engages
working Egyptologists--such as Doctors Zahi
Hawass, Salima Ikram and John Darnell-- to develop an
intriguing look at an historical figure, whose name has only
recently entered into popular culture by way of the movies.
The documentary tends to be pretty serious, as the parade
of archaeologists proffer opinions about a stone carving, The
Scorpion Tableau shows the first use of the falcon-god symbol
of kingship, an image of the god Horus
with carved image of a scorpion--The name King Scorpion. The
tableau celebrates a historic battle between King Scorpion and
the next strongest king of the region King Naqada--The
unification of the kingdom of Upper Egypt.
The
Bone and ivory tags that are examined suggest that the first
pictographic writing system (that predates Mesopotamian
writing by 200 years) may have been used to catalogue King
Scorpion's riches, to organize his administration and to
record his victories.
King Scorpion's burial site is made up of a model of his
palace, contains burial goods that include game boards, vases
of precious oils and other items--some of the goods come from
as far away as ancient Palestine and Afghanistan--that would
be elaborated upon in the burial goods of all later kings. The
site was covered over with sand forming a mound that
represented the primordial mound from which life was believed
to have sprung. This burial mound was copied and expanded upon
by a 4th dynasty
vizier,
Imhotep,
who created the Step
Pyramid, the precursor to the Great
pyramid.
While the experts’ involved discussions will thoroughly
involve the serious student of ancient Egypt, there are
elements that'll appeal to kids and the adventurous. Scorpions
crawl through the documentary. The arachnids are examined for
their significance as the chosen symbol of this powerful king.
There is even a sidebar journey stateside to the laboratory of
an American Army major and entomologist that specializes in
the study of venomous animals. The major 'wrangles'
various varieties of the animal and points out the key
attributes of the Egyptian Scorpion that would have appealed
to an ancient king--the ability to survive in the harsh desert
environment, its speed, silence and deadly venom.
Egyptologists may resent the History Channel’s use of
'The Rock' to provide a brief introduction to the program, but
despite the presence of "The Rock," this is no
dumbed-down fluff created to cash in on The Scorpion King
hype. This is the first portrait of one of the men who was
known as King Scorpion.
See Also Tour Egypt Feature
Article on this king
Scorpion Mace Photos: Courtesy Providence Pictures.
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