Serapeum is a name usually applied to building that were associated with
the cult of the Apis bulls, or the later composite god, Serapis. We
actually know of two Serapeums, one located at Saqqara and the other in
Alexandria. The one at Saqqara was more closely related to the Apris
bulls, while the Alexandria Serapeum served as a cult center of Serapis.
In reality, these two complexes served very different purposes, the
Serapeum in Alexandria being more Greek in origin, while the one at
Saqqara was built at least as early as the 18th dynasty. In this
article we will focus on the earlier structure at Saqqara.
It
is perhaps important to note that other
bulls, such as the Buchis, though
worshipped in cults, had their own catacombs. The Buchis were buried
in the Bucheum that was discovered by Robert Mond and W. B. Emery in 1927
(the mothers of these bulls were also interred in their own catacomb at
Armant known as the Baqariyyah.
The legendary Serapeum is where the sacred bulls of Apis are buried.
Worship of the Apis bull was a late development. The bull was thought to have been an
incarnation of Ptah, and were required to be black and white, with a white blaze
on it's forehead and throat, a red saddle-like mark on it's back, and a
white belly. We know of 67 Apis bulls, though there were probably
many more. So important were these bulls, that upon one's death, a day of
national mourning would be
declared (here, it is important to note that there was only one Apis Bull
kept for worship at any one time). After the bull was embalmed, its
corpse was taken along the sacred way from Memphis to Saqqara. Calves that
died were also buried ceremonially, but their catacombs, like the early
Pharaonic Apis galleries, remain undiscovered.
Napoleon's expedition had searched for the Serapeum in vain, but archeologist
Mariette
discovered the complex in 1850, in the early days of archeology. The story goes
that he came to Egypt to purchase Coptic manuscripts, but the British had
beat him to it. Apparently, the British Museum representative got
the monks drunk and then walked off with the documents they wanted!
Mariette was led to the site of the Serapeum through his discovery of
traces of some of the sphinxes (over 100) lining the dromos, that were
faithfully described by the Greek writer Strabo. In Le Serapeum de Memphis,
Mariette describes some of his excitement about his find:
"One finds," said the geographer Strabo (1st century AD), "a temple to Serapis in such a
sandy place that the wind heaps up the sand dunes beneath which we saw sphinxes, some half
buried, some buried up to the head, from which one can suppose that the way to this temple
could not be without danger if one were caught in a sudden wind storm." Did it not seem that
Strabo had written this sentence to help us rediscover, after over eighteen centuries, the
famous temple dedicated to Serapis? It was impossible to doubt it. This buried Sphinx, the
companion of fifteen others I had encountered in Alexandria and Cairo, formed with them,
according to the evidence, part of the avenue that led to the Memphis Serapeum...
It did not seem to me possible to leave to others the credit and profit of exploring this temple
whose remains a fortunate chance had allowed me to discover and whose location henceforth
would be known. Undoubtedly many precious fragments, many statues, many unknown texts
were hidden beneath the sand upon which I stood. These considerations made all my scruples
disappear. At that instant I forgot my mission (obtaining Coptic texts from the monasteries), I
forgot the Patriarch, the convents, the Coptic and Syriac manuscripts, Linant Bey himself, and
it was thus, on 1 November 1850, during one of the most beautiful sunrises I had ever seen in
Egypt, that a group of thirty workmen, working under my orders near that sphinx, were about
to cause such total upheaval in the conditions of my stay in Egypt."
As
excavations continued, Mariette and his team eventually came to a buried
temple courtyard. In this dig, he found the
famous "Squatting Scribe" statue. This statue is considered to be one of the greatest sculptures
ever found. He also found the statue of the dwarf god, Bes.
Actual entry to the catacomb was not achieved until November 12th,
1851. The way into the first of the galleries was blocked by a huge
rock, but explosives were used to open the way. Beneath where the rock had
been was found a
mummy of a man who turned out to be a son of Ramesses II, Prince
Khaemwese. He was
in charge of the restoration of the Pyramid of Unas,
but he had also been governor of Memphis and a
high priest of Ptah, responsible for building some of the vaults in the Serapeum. He had requested to be buried with
his sacred bulls rather than a tomb of
his own.
The first of the subterranean galleries of the Serapeum consisted of a
long gallery inset with numerous votive stelae and sealed by a huge
sandstone door. The sacred bulls were buried in a single block of granite that weighed
between sixty and eighty tons. These sarcophagi had been prepared between year 52
of Psammetichus I of the 26th Dynasty and the end of the Ptolemaic period.
All twenty-four sarcophagi had been plundered. Their lids had
been pried loose and the contents taken.
Further excavation carried out in 1852 revealed an older gallery
known as the "lesser Vaults". They had similar rock hewn
chambers that had contained bulls in wooden coffins. They dated from
year 30 of Ramesses II reign down to the 22nd Dynasty. The burial of
Apis XIV made in the 44th year of Ramesses II reign survived intact.
Throughout
1952, Mariette's work continued resulting in the discovery of a thrid
series of smaller bull burials. They ranged in date from Amenophis
III of the 18th Dynasty through the 19th dynasty, the earliest burials
found. Here, two coffins, that of Apis VII and Apis IX were also
discovered intact, along with shabtis, canopic jars and amulets. One of
the Apis bulls can be found in the Cairo Agricultural Museum.
Only one bull is recorded has having been buried after the reign of
Cleopatra VII. Octavian refused to visit the Serapeum, and while the
bull continued to be an emblem sacred to the god Montu through the reign
of Diocletian, its cult faded and soon disappeared afterwards.
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