Today, it is not difficult for most westerners to believe that
women are completely repressed in the Islamic world. Indeed,
there are some Muslim cultures that seem to do so, but these
should not be taken as completely typical, for there are a
number of well known Muslim women with considerable power and
influence. A notable example is Queen Rania al-Abdullah of
Jordan. In Egypt, examples are fairly easy to find, beginning
with Suzan Mubarak, the outspoken wife and social leader of
the country's president. Many others hold high government
offices and may also be found in various professions.
One of the most interesting women of Egypt's archaic
Islamic period was Sultana Shajarat al-Durr, who ruled Egypt
for a short period at the end of the Ayyubid
period. Shajarat (sometimes Shagarat, Shaggar or Shagar) al-Durr was the wife of
Sultan Al-Salih Najm Al-Din Ayyub. Largely, he was responsible
for importing a whole corps of slaves to Egypt, who would
become known as the Mamelukes, which meant those who are
owned. These slaves would eventually rise to rule Egypt, and
one of the Turcoman slaves that he purchased from the Caliph
Musta'sim's harem was none other than Shajarat al-Durr, who
would also become his wife.
When Al-Salih was captured by his cousin, al-Nasir Da'ud, in
1248, Shajarat accompanied him to his confinement at al-Karak. There she gave birth to their son, Khalil. A year later, both the future sultana and her son accompanied
Al-Salih back to Cairo where she was named by his favorite wife.
In the midst of a Crusader campaign in the Nile Delta,
where the Franks under Louis IX and landed in hopes of
pressing on to Cairo, Sultan al-Salih Ayyub died of a fever. Louis's crusade occurred at a horrible time for the Ayyubid regime. The French king's forces had taken Damietta and waited for an opportunity to strike at
Cairo.
Al-Salih's death on November 23, 1249 seemed to offer that
opportunity. However, Shajarat then took the chief of the
Mameluke guard, Fakhr al-Din, and the Sultan's chief eunuch,
Jamal al-Din into her confidence in order to conceal the
sultan's death. Hence, she controlled Egypt long enough to
recall al-Salih's son, Turan Shah, home from northern Syria to
assume command.
By the time word leaked out of the palace concerning Al-Salih's
death, Shajarat's coalition was in firm control of affairs. Louis, hearing of this coalition, marched his army towards
Cairo and even managed to eliminate Fakhr ad-Din in an ambush. However, the future sultana managed to stabilize the political and military situation until
Turan Shah arrived on February 19, 1250. With this powerful woman in command behind the scenes, the
Mameluke army defeated Louis's forces in February 1250 at Mansura and captured the French king and his forces.
Shajarat's presence also preserved order after Turan Shah was murdered by the
Mameluke after the battle due to his favoring soldiers from the provinces over the established order. In the face of imminent disaster, Shajarat held Egypt together and managed a victory against the crusaders.
While Shajarat's position was certainly precarious, she was
highly thought of by the Mamelukes, probably because of her
cunning. They raised her to the throne and gave her the title,
Umm-Khalil, meaning "mother of Khalil". Her Mameluke origins and performance in the recent crisis inspired her counterparts to break with Islamic tradition and allow her to become the first female leader to have coins struck and the Friday sermon pronounced in her own name. To begin her reign, she continued
Turan Shah's negotiations with Louis, preserved the lives of the French prisoners, regained Damietta and ransomed the French king for 1,000,000 bezants. During the remainder of her reign, Egypt remained peaceful.
She ruled Egypt for eighty days as sultana, a very rare
feat indeed for a woman in medieval Islam. The Abbasid caliph
who was her original owner was outraged over this and
dispatched a note from Baghdad saying, "Since no man
among you is worthy of being sultan I will come in person and
bring you one. Know you not that the Prophet - may he be
exalted - has said, 'Woe unto nations governed by
woman'."
Afterwards, this ambitious woman married the chief of her
husband's Mamelukes
and had him proclaimed sultan. However,
not only did she insist that he first divorce his wife Umm
Ali, but she continued to hold the reigns of power herself.
Afterwards, all went well for seven years. Because of her abdication and the Caliph's wishes,
her husband, Aybek, was the nominal sultan. However, due to his constant struggle with the Syrian
Ayyubids in Damascus and Aleppo, the sultan remained on campaign for much of his early reign. Thus, Shajarat exercised de facto power over Egypt and maintained political stability in her second husband's absence.
However, one day she learned that her Mameluke husband was
planning to take a Turkish princess as a second wife (he was
allowed four by law). Perhaps she was jealous, but more likely
she was protecting her position when she summoned her husband
to the Citadel. Interestingly, an astrologer had told him he
would die by the hand of a woman and so he had to be cajoled
into leaving a polo match in the western suburbs of the city.
However, it was not her hand that killed him, but rather five
assassins who fatally stabbed him on the way to the
palace.
Apparently Shajarat realized that this would cause
problems, so she crushed her jewels in a mortar so that they
could never fall into the hands of another woman. Soon after,
Ali, her husband's son by his first wife stormed the palace
with an angry mob. They hauled the sultana from her residence
and flung before her dead husband's ex-wife, who struck her
and hurled insults before having her female servants strip
Shajarat and beat her to death with wooden bath clogs. Then,
as the fifteenth century historian Ibn Iyas recounts,
"She was dragged by the feet and thrown from the top of
the moat naked, with nothing but a garment around the waist.
She remained there in the moat for three days, unburied, until
is is said, one of the rabble descended into the moat under
cover of night and cut off the sash of her garment because it
was of red silk with a circle of pearls and because it smelled
of musk". Eventually, after the jackals and gods
had their fill, her remains were gathered in a basket and she
was buried in her own magnificent tomb, which she had built in
1250 AD in an admirable spot near the shrines of female
saints.
The Mausoleum
The small mausoleum of Shajarat has a dome with an
interesting profile. Like that of the Abbasid Caliphs, it has
a keel-arch curve. This is very different than the mausoleum
of her first husband's as is the facade treatment. This dome
has an entrance on every side except the quibla wall.
Originally, the building, with its three entrances, must have
been surrounded by an enclosure. The quibla wall itself has a
prayer niche that protrudes outside. It, and the southwest
wall still retain some ornamentation, including lozenges and
medallions carved with flutes and keel-arched niches with
fluted hoods.
Within, the three sides around the quibla are adorned with a
stucco keel-arch niche above each entrance. These are shallow,
fluted, with the flutes carved and radiating from a central
panel. The frames of the niches are composed of
stalactites,
or two rows of carved small niches, and the spandrels of the
niches are finely carved with floral motifs, appearing so lacy
that the details are hardly recognizable. Then, the whole is
framed by an inscription band of naskhi script on an ornate
background. Within the dome, the transitional zone is reduced
because of its size. Painting decorates the stucco squinces.
The qibla wall is decorated with a keel-arched prayer
niche. It is concave, with a conch that starts above a wooden
frieze that runs around the whole chamber above the entrances.
There is a stalactite triple frame that borders the niche,
which is adorned inside with Byzantine style glass mosaics
forming a tree with mother-of-pearl pieces set in the foliage.
This may be an allusion to the sultana's name, which means
"Tree of Pearl". The wooden frieze running along the
walls with carved inscriptions and arabesques may be dated to
the Fatimid
era, and therefore must have belonged to an
earlier building. The upper inscription band underneath the
transitional zone of the dome was once covered with black
paint, no doubt by her enemies. However, it was later
repainted white, and carries her name and titles.
References:
| Title |
Author |
Date |
Publisher |
Reference Number |
|
Cairo |
Raymond, Andre |
2000 |
Harvard University Press |
ISBN 0-674-00316-0 |
|
Cairo: An Illustrated History |
Raymond, Andre, Editor |
2002 |
Rizzoli, New York |
ISBN 0-8478-2500-0 |
|
Cairo (Biography of a City) |
Aldridge, James |
1969 |
Little, Brown and Company |
ISBN 72-79364 |
|
Cairo: The City Victorious |
Rodenbeck, Max |
1998 |
Vintage Books (A Division of Random House, Inc. |
ISBN 0-679-76727-4 |
|
Cambridge Illustrated History Islamic World |
Robinson, Francis |
1996 |
Cambridge University Press |
ISBN 0-521-43510-2 |
|
History of Islam, The |
Payne, Robert |
1959 |
Barns & Noble Books |
ISBN 1-56619-852-6 |
|
Islamic Architecture in Cairo, An Introduction |
Behrens-Abouseif, Doris |
1998 |
American University in Cairo Press, The |
ISBN 977 4247 2013 3 |
|
Islamic Monuments in Cairo: A Practical Guide |
Parker, Richard B., Sabin, Robin & Williams, Caroline |
1985 |
American University in Cairo Press, The |
ISBN 977 424 036 7 |
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