This mask of solid gold, beaten and burnished, was
placed over the head and shoulders of
Tutankhamun's
mummy, outside the linen bandages in which the whole
body was wrapped. It weighs about twenty - four
pounds. Although it is difficult to judge how
closely the face represents a true likeness of the
king, it is at least an approximation. The rather
narrow eyes, the shape of the nose, the fleshy lips,
and the cast of the chin are all in agreement with
the features visible in his mummy, and the whole
countenance is unmistakably youthful. Perhaps it is
slightly idealized, but essentially it seems to be a
faithful portrait.
The stripes of the nemes
headdress are made of blue glass in imitation of
lapis lazuli, and the same material has been used
for the inlay of the plaited false beard. The
vulture's head upon the brow, symbolizing
sovereignty over Upper Egypt, is also made of solid
gold, apart from the beak, which is made of
horn-colored glass, and the inlay of the eyes, which
is missing. By its side is the cobra, symbolizing
sovereignty over Lower Egypt, its body made of solid
gold, its head of dark blue faience, its eyes of
gold cloisonne inlaid with translucent quartz backed
with a red pigment, and its hood inlaid with
carnelian, lapis lazuli, turquoise-colored glass,
and quartz. The eyebrows, eyelids, and kohl marks
extending sideways from the eyes are made of lapis
lazuli and the eyes of quartz and obsidian.
Caruncles (small red patches) are shown on the inner
and outer canthi of the eyes - a frequent mistake in
Egyptian reproductions of the human eye, which in
nature shows a caruncle on the inner canthus only.
The lobes of the ears are pierced for earrings, but
when the mask was found the holes were covered with
disks of gold foil. A triple-string necklace of gold
and faience disk beads has also been removed from
the mask in order to reveal the neck. On the chest,
extending from shoulder to shoulder, is a broad
collar encrusted with segments of lapis lazuli,
quartz, and green feldspar with a lotus-bud border
of colored-glass cloisonne work. At each end of the
collar is a terminal in the form of a falcon's head
of gold encrusted with obsidian and colored glass.
The inscription engraved on the shoulders and on
the back of the mask is a spell that first appears
on masks of the Middle Kingdom, some five hundred
years before the time of Tutankhamun. It was later
incorporated in the
Book of the Dead (Chapter 151
B). Intended for the protection of the mask, it
identifies its various parts with the corresponding
physical members of different gods, addressing them
individually:
"...Your right eye is the night bark [of the sun
god], your left eye is the day bark, your eyebrows
are [those of] the Ennead of the Gods, your forehead
is [that of]
Anubis, the nape of your neck is [that
of]
Horus, your locks of hair are [those of]
Ptah-Soker. [You are] in front of the
Osiris [Tutankhamun],
he sees thanks to you, you guide him to the goodly
ways, you smite for him the confederates of Seth so
that he may overthrow your enemies before the Ennead
of the Gods in the great Castle of the Prince, which
is in
Heliopolis...the Osiris, the king of Upper
Egypt Nebkheperura, deceased, given life like Ra."